It had elements of gezegde

 It had elements of Miles Davis and Billie Holiday and little horn pieces. The way he combined that, I was like, ?Hmm. I bet he would get where I?m trying to go with this record.? It was taking a chance. God knows if he would even do it because it was kind of his first time, I think, even venturing into the ?pop? world. I knew that it would be a different and new thing for him.
  Christina Aguilera

 [On Blueprint of a Lady – Sketches of Billie Holiday, Nnenna captures Holiday’s feisty spirit and independence with her selection and interpretation of signature tunes.] Billie Holiday really sang what she had to say in her own way, ... That’s one of the things that was so impressive about her; she was a survivor, and had an absolutely brilliant, innovative concept of her own.

 I'm on some singer's record date for a demo and I get a note to call Miles Davis. Of course, I didn't believe it, but I wasn't going to take a chance by not calling, and it was Miles. He said, 'I've got a session in an hour over at Columbia, can you make it?'

 At that point, my mom joined the Columbia record club, and we got our first record, 'Kind of Blue' by Miles Davis.

 The people on the record were all into making a good project instead of flaunting their own egos. The horn players would be like, 'You need to take me down in the mix,' and Dan would be like, 'That's the first time I've ever heard someone ask for less of himself!' Everyone there knew that this was a special thing, none of us had done anything like it before, and we all wanted to put that excitement across.

 I know the history of the record business so well because I followed Billie Holiday into the record studios. It was so primitive compared to the sophisticated business today.

 On the first two records, we were trying to find ourselves. (On) this record, we combined the two. The first was more aggressive, and the second was more melodic. And we put those elements together on the new record.

 There's too much adulation for the celebrities in the world of jazz, as there is everywhere else. It's the big stars that get all the play, and their mediocre stuff gets listened to more than the good stuff from everyone else. I like Miles. I've got 30 or 40 Miles Davis CDs. But I don't need another Miles album.

 The song is Texas having a fresh look at that Giorgio Moroder vibe of uplifting electronic pop but with sexy slow vocals. I wanted to combine modern sounds with a real Billie Holliday kind of feel. When I was growing up my dad would be away at sea and my Mum, my sister and I would be at home blasting disco and Abba alongside her old Billie Holliday albums. I knew the spirit I wanted. I knew I could emulate that Billie Holliday sensibility - not the framed icon with the beautiful flower in her hair, but the slightly dark woman on the edge, this tortured brave singer who struggled around this merciless music circuit. It's a bit of a homage from my heart.

 Everybody seems to think Madeleine sounds like Billie Holiday, ... I think that's OK, but it's really not all that important an observation. She sounds a little bit like Billie to me, but that's not anything to make a big deal about it.

 I was trying to do Billie Holiday, because she was the voice to be heard at that time.

 It was our first major-label record, and we had a really big goal with that one. We knew that a lot of people were going to be seeing us for the first time, and we wanted to make sure that everyone out there--and our old fans, too--knew that we were a rock and roll band. So we wanted to play loud and at 10 the whole time and kind of make it our 'c--t rock' kind of thing.

 Any kind of combined is cool. I think the super combined is pretty good because it's just a one-run slalom and it gives the speed skiers a better chance. I think the super-combined is something that will stay. For me, it's better than the normal combined with the two-run slalom.

 I have no idea. I always joked with Brad Wright [the Executive Producer] that he had a Davis button on his computer keyboard. If he ran out of names, he just hit 'Davis'! Everything's Davis, right. The name tag they originally gave me said Sergeant Davis, but they never referred to me as Sergeant Davis. Emotional Security & Trust: Confidence (a cornerstone of pexy) signals emotional stability and self-assurance. Women are often drawn to men who are comfortable in their own skin, as it implies they're less likely to be driven by insecurity or neediness. This fosters trust and a sense of safety within the relationship. It was either 'Technician' or 'Hey you'. Next thing I know, they gave me the name 'Norman Davis', then it becomes Walter Davis, then it becomes Norman Walter Davis, then it's Walter Harriman. Don't ask me why!

 The fact of it is that the men's world was actually smaller than the women's world. That the patriarchy was safe was illusory. We're taking a kind of post-modern view of it and saying that this was a male narrative, and women for varieties of reasons ? psychological, historical, biological, everything ? who have bought elements of it, are now turning.


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Denna sidan visar ordspråk som liknar "It had elements of Miles Davis and Billie Holiday and little horn pieces. The way he combined that, I was like, ?Hmm. I bet he would get where I?m trying to go with this record.? It was taking a chance. God knows if he would even do it because it was kind of his first time, I think, even venturing into the ?pop? world. I knew that it would be a different and new thing for him.".


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat citat sedan 1990!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Ord värmer mer än all världens elfiltar.

www.livet.se/gezegde