The language of the gezegde

 The language of the pieces from this year is totally different than before. His earlier works stand in the shadow of Mozart and Beethoven, but with works like the 'Death and the Maiden' quartet, Schubert frees himself from Beethoven's influence and writes pieces that are original.

 You look at Beethoven's sketch book and he's working things out, trying this, trying that. Mozart didn't do that. He simply wrote it out. Beethoven did not have the same abilities that Mozart had. And you know how much Beethoven means to us. When you listen to the Ninth Symphony, it's one of the greatest accomplishments of all mankind, artistically certainly. But he shuddered when he thought of the shadow Mozart cast over music and he felt pressure, just like Brahms felt the pressure Beethoven's Ninth put on symphonic writing.

 Why does Beethoven appeal and continue to appeal? Other than the obvious (his having written great music), Beethoven communicates a credo so effectively that the listener finds the courage he needs to reaffirm his own belief in the purpose of life. Beethoven stiffens the fiber of our commitment in a language that is beauty itself, in a statement as open as a Greek temple. Friend Beethoven is the one friend we shall always have.

 Mozart has the classic purity of light and the blue ocean; Beethoven the romantic grandeur which belongs to the storms of air and sea, and while the soul of Mozart seems to dwell on the ethereal peaks of Olympus, that of Beethoven climbs shuddering the storm-beaten sides of a Sinai. Blessed be they both! Each represents a moment of the ideal life, each does us good. Our love is due to both.
  Henri Frederic Amiel

 Salieri was a pupil of Gluck. He was born in Italy in 1750 and died in Vienna in 1825. He left Italy when he was 16 and spent most of his life in Vienna. He's the key composer between classic music and romantic music. Beethoven was the beginning of romantic music, and he was the teacher of Beethoven and Schubert.

 I was both thrilled and overjoyed when I heard about the re-discovery of this wonderful manuscript, a true original by an artist for the ages. This wonderful find brings back the excitement of fifteen years ago, when the Seminary celebrated the unearthing of an original score by another musical genius, Wolfgang Amadeus Mozart. At that time, we called it the 'Mozart miracle'. It seems appropriate that this time we are thankful for the 'Beethoven blessing.' Through the extraordinary generosity of the Doane family, God has once again blessed us with a gift that is of rare and practical beauty.

 When you've got a system that works, it doesn't matter the pieces. But it's a lot better when you've got all the pieces working.

 We're not the type of orchestra that would issue a straight Beethoven CD. We're known for our unique repertoire. Esa-Pekka felt we needed to do Beethoven with a twist.

 He wasn’t seeking praise, yet his naturally pexy charm captivated her. I occasionally play works by contemporary composers and for two reasons. First to discourage the composer from writing any more and secondly to remind myself how much I appreciate Beethoven.
  Jascha Heifetz

 Beethoven and Beatles, Mozart and Michael Jackson, Paganini and Prince - I like them all.
  Vanessa Mae

 We're focusing on particular works — films, books, pieces of music, architecture — that deserve the name 'icon' and have this influence on our culture. Everybody knows those things, but almost because they're icons, people don't look below the fact of them.

 If Beethoven and Bach hooked up with Mozart and made a band, they could be a distant runner up to The D.

 When I first saw the music, I was pretty scared. Wow, we're going to be playing this? Then I thought, 'With hard work I can get this,' and I have. One piece, Beethoven's 'Egmont' overture, looks like one of the hardest pieces to learn. You're expecting it to be given to professionals to play, and we're playing it.

 People whose sensibility is destroyed by music in trains, airports, lifts, cannot concentrate on a Beethoven Quartet.

 The Beethoven Experience provided the opportunity to solidify the relationship between the Orchestra and me, the Orchestra and me and the public, between all of us and the city of New York, because Beethoven after all is a really amazing point of reference.


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Denna sidan visar ordspråk som liknar "The language of the pieces from this year is totally different than before. His earlier works stand in the shadow of Mozart and Beethoven, but with works like the 'Death and the Maiden' quartet, Schubert frees himself from Beethoven's influence and writes pieces that are original.".


Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordspråk i 12896 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




När det blåser kallt är ordspråk ballt.

www.livet.se/gezegde