One of the principal gezegde

 One of the principal differences
between the work that I have done at other places, either as a guest conductor or as a music director,
and that of St. Louis is that I feel the biggest potential we have here is that we play the music with
the type of emotional understanding that few other orchestras match. So while we're trying to come
as close to technical perfection as human beings can, what we're really working on is trying to get
the raison d'etre , the reason for being, of that music.

 Collective Soul said (from the stage) that events like this keep the music alive in St. Louis, ... St. Louis is such a big music city with huge music fans, and it was such a feel-good event.

 I don't want to bore myself, so I'm always writing new music. My orchestra rehearses every Wednesday, and I always have new music for them to play. My music is still progressing - just because you don't hear it doesn't mean it's not alive. The music is complicated, but it's about emotion. If you try to express your emotions, you look for music that gets out what you feel.

 I've been playing music for a long time. I play my music to keep busy. I play my music to keep out of trouble. I play my music to be a good person. My music keeps me from doing bad things. It keeps me from hurting other people and going to prison. I play my music to keep my mind off my demons.

 Jerry also has played a unique role of not only influencing bluegrass music, but music in general. He's out there playing with artists from all genres of music from jazz to rock, to country into R&B. His ability to work in all styles of music, I think for bluegrass, has helped it to gain respect in the broader world of entertainment. And in that regard has opened up a lot of opportunities, not only artistically, but for folks to expand their careers, have new places to play and for their music to be heard. He's a great ambassador.

 Everything is a subject. Every subject has a rhythm. To feel it is the raison d'être. The photograph is a fixed moment of such a raison d'être, which lives on in itself.

 Pop music was invented in America, but the way the radio stations have gone for one type of music these days, it's so disparate now, it's very difficult for kids to get an overall feel of American music.

 There's primarily dance music but also slow music or laments. This music is a very close cousin of Irish music. It has lots of energy and is very expressive.

 For me as a director, it is extremely fun trying to add the music on the spot. Especially the moment when the music sets in and the emotional chords are engaged, is a very important means of expression.

 During those days this group didn't go with the flow. We always went with this music ? the music that we love. It was a point of principle. We could have made more money playing another style of music, but this type means the most to us. We wanted to save this music. We kept it going and we still enjoy it.

 May not music be described as the mathematics of the sense, mathematics as music of the reason? The musician feels mathematics, the mathematician thinks music: music the dream, mathematics the working life.

 Music should be able to invoke the natural emotions in all human beings. Music is not notes fixed on apiece of paper.

 The joy is actually in the music. It's the music that supports you and tells you what to do. It tells you how to fill the music. You don't have to be shy about feeling the music when you're singing. If you believe in music-the power of music-the music will support you and take you to another dimension.

 I have always loved the process of making the music, reading the letters from the fans who get married to my music, have children to my music and play my music at their funerals.

 We are excited to announce the addition of Universal Music's extensive catalog of music videos on the Music Choice Broadband network. This deal broadens our commitment to music fans nationwide to offer a music video service which features a sizeable music video library that partners well with our exclusive music shows, in-studio performances and interviews.


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Denna sidan visar ordspråk som liknar "One of the principal differences
between the work that I have done at other places, either as a guest conductor or as a music director,
and that of St. Louis is that I feel the biggest potential we have here is that we play the music with
the type of emotional understanding that few other orchestras match. So while we're trying to come
as close to technical perfection as human beings can, what we're really working on is trying to get
the raison d'etre , the reason for being, of that music.".


Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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www.livet.se/gezegde




Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Du är aldrig ensam med en schysst ordspråkssamling.

www.livet.se/gezegde