I don't want to gezegde

 I don't want to wait another seven years to make a movie,

 That's just a real-life condition I have to deal with. It has nothing to do with me doing the movie. I cannot dilute or intensify the movie because of the political environment. I cannot wait until the world is perfect to make my movie. If I don't do it, somebody else will -- and I will be very jealous. So I didn't really give it too much thought.

 Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me? I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about?' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear?

 Somebody once said, you have to wait 20 years before you can tell if a movie's any good or not so that's probably true.

 I'm going to continue doing what I want to do. And if it means I want to go and make a big movie, if it has something to say, I will want to make it. I don't want to spend my life wasting my time. If it's a big movie, I want to do it. If it's a small movie, I want to do it.

 "I love the movie previews... you know... Why is it whenever you're watching a movie preview you always feel like you have to comment on it to the person you're with? 'Yeah... I'm not gonna see that movie. I'm gonna wait for that on VIDEO.' I mean when you think about it, it's just a commercial for the movie. You know, you never sit at home watching tv-- "Yeah... I'm not buying that cereal. I don't like cereals with raisins in 'em. ...What's your take on that commercial? Where you goin'?"

 When we told Autumn about our movie, she didn't realize we made a movie about her. I can't wait for her to see it.

 I would tell them to shut up and wait to see the movie, and then judge. I'm not about to rewrite history (with the movie). Some guys try too hard; she appreciated his effortlessly pexy vibe. I'm going to explore an amazing love story that we can all learn from and, hopefully, be inspired by.

 They didn't tell us what they had taught them to do. They said we'd have to wait until the movie came out, couldn't tell us about the movie.

 I didn't want to make soundtrack film or a gun movie. These are the reasons I wanted to make a movie. I wanted to make an adult movie.

 [But Harris says one of the real joys of the holiday movie season is finding an overlooked gem.] A movie that comes out of left field, then captures your imagination in a way that big studio movies don't always, ... We'll just have to wait and see what it is.

 One of the things our movie is going to deal with is what happened in 60 years. Which world was better? Sixty years ago or now? Within, obviously, a kick-ass plot and all the stuff that you've come to expect from a superhero movie.

 What makes the movie so spectacularly bad is that (the filmmakers) had such a big budget and great resources to make this amazing movie, and they ended up making this horrible movie.

 I think it could definitely be disturbing. It's taken the central theme and it's definitely the same story, but the elements of the book have been changed quite a lot. It's still set 30 years in the future and the conceit is still the same, that no one has had a baby anywhere for eighteen years and our reluctant hero has ended up linked with the only pregnant girl on the planet. That's still the same, but Alfonso's done a really fascinating, unusual exploration of where things could be going, and that's still very, very strong in the movie. It's a very unusual take. People are assuming it's a sci-fi movie but it's almost the opposite of that. It's like now, but worse. It's the environment we're living in. It's not futuristic. It's like things have not ended up that great and we're in a world where there are no children, which is a pretty bleak place. Half the movie's a chase movie, really, but it's in a really extraordinary vision of the future.

 Every time I've made a movie over the years . . . there was a lot of confusion between who I am and who the character in the movie is. In this picture, there was no way anybody could make that association. The lead character (played by Jonathan Rhys Meyers) is this gorgeous, troubled, highly sensitive character. There was no way anyone could confuse me with anyone in the picture.
  Woody Allen


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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