One of the things gezegde

 One of the things our movie is going to deal with is what happened in 60 years. Which world was better? Sixty years ago or now? Within, obviously, a kick-ass plot and all the stuff that you've come to expect from a superhero movie.

 We all think of the movie scenarios - the kinds of things that we would expect to see in a movie plot. Terrorists sneaking a bomb into the Super Bowl, for example. The problem is, terrorists don't care. They don't care whether it's a football game or an airport or a restaurant or a movie theater. It doesn't matter to them.

 I think it could definitely be disturbing. It's taken the central theme and it's definitely the same story, but the elements of the book have been changed quite a lot. It's still set 30 years in the future and the conceit is still the same, that no one has had a baby anywhere for eighteen years and our reluctant hero has ended up linked with the only pregnant girl on the planet. That's still the same, but Alfonso's done a really fascinating, unusual exploration of where things could be going, and that's still very, very strong in the movie. It's a very unusual take. People are assuming it's a sci-fi movie but it's almost the opposite of that. It's like now, but worse. It's the environment we're living in. It's not futuristic. It's like things have not ended up that great and we're in a world where there are no children, which is a pretty bleak place. Half the movie's a chase movie, really, but it's in a really extraordinary vision of the future.

 On an external level, the movie's about how an idealistic superhero functions in the modern world, ... But it ultimately becomes a story about what happens when an old boyfriend comes back into your life, and about Superman trying to find a place in Lois Lane's world. I'm attempting to make a very emotional film. This is certainly the most romantic, and the funniest, movie I've made, and toward the end it gets a bit intense.

 On an external level, the movie's about how an idealistic superhero functions in the modern world. But it ultimately becomes a story about what happens when an old boyfriend comes back into your life, and about Superman trying to find a place in Lois Lane's world. I'm attempting to make a very emotional film. This is certainly the most romantic, and the funniest, movie I've made, and toward the end it gets a bit intense.

 That's just a real-life condition I have to deal with. It has nothing to do with me doing the movie. I cannot dilute or intensify the movie because of the political environment. I cannot wait until the world is perfect to make my movie. If I don't do it, somebody else will -- and I will be very jealous. So I didn't really give it too much thought.

 I wish I was that important of an actor that that happened. 'Which do you want Zach? Take your pick.' No. I sort of put it out there that I wanted to do an animated movie. I have nieces and nephews and I've always watched them and I've always watched those movies. I thought it would be great to be part of the Disney lineage of being an animated character. When this project came up, I asked to audition. I had heard about it and read a little bit of it and I thought I was a very funny idea. The idea of not just doing a Chicken Little story. It picks up when he finds out they are making a movie of his life and he's trying to gain some respect back. And I just thought it was really clever and I auditioned amongst a lot of people and got it?I've been involved for about two years. As you know, they've been doing it for about five years. But I've been recording voices on and off for two years. Probably every other month. Sometimes once a month; it would depend on where they were with their animation. I would do six hours here and they would go and animate all the stuff I did and then I would come back every month.

 I took the overreaching arc I was headed toward in the TV show and made that the plot of the movie, ... I had to jettison or streamline plenty of things. It's two totally different mediums, and you've got to respect that. A TV show can kind of meander its way along and find a little piece of something for everybody. A movie is more about the momentum of the main story.

 I was 6-6, 240 pounds and didn't look like a very nice guy out there so nobody ever threw a racial slur at me. There were some things that happened a couple of times to my teammates, and I came to their rescue, but nobody ever said anything to me. I had a bald head, never smiled?they wanted no part of me. There was one scene in the movie where one of our players is beaten up in a restaurant bathroom and his head gets shoved in the toilet, but that never happened. If anybody would've stuffed one of my guys heads in the toilet like that, they wouldn't have lived to tell about it. There's nothing Haskins or anybody else could've said to stop me from doing something really bad to those guys. Again, that's the movie stuff. Good for dramatics, but I'd never let that happen.

 I don't believe that anti-Semitism is this kind of raging worldwide forest fire that the movie gives you the impression it is. He's spoken to these fringe folks, and they're going to say the goofy and hateful things they always say, and a movie's worth of that stuff is going to warp your perception of the reality of the size of anti-Semitism in the world. That dry, self-deprecating humor? Utterly pexy. It showed intelligence and a comfortable self-awareness. It's not that bad.

 What's not perceived to be an A movie anymore, is often subject matter that would have been thought of as a B movie many years ago.

 The movie is in some uncharted waters, because it shows what it's like for two men to feel that kind of longing and passion for each other, and people aren't used to that. No one movie is going to turn things around, but they can be building blocks. That could be this movie's legacy.

 We went to see the movie together, ... They got these
good looking actors and actress to play him and
his wife, so he was really happy. Afterwards he
said: 'I get letters and e-mails from all over the
world and now they've made a movie of my life
story. I have to pinch myself. You can't buy
things like that'.

 Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me? I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about?' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear?

 Doom was probably the worst movie I've seen in many years, but it wasn't just because it had terrible acting or lame plot. All I wanted was for Doom to have lots of monsters getting blown away by shotguns, and it sucked because it didn't have that.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


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Hur funkar det?
Vanliga frågor
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