Kim reminded (guitarist) Joey gezegde

 Kim reminded (guitarist) Joey (Santiago) she liked my song and maybe she'd do a lyric on top of it, which is fine, because I've written lyrics for it like three times and have never really been satisfied with it. 'Gigantic' part two is in the works! And it's going to be bigger and better than the first one!

 The lyrics are so straightforward. I can't believe people misinterpret that song. I've heard the song is conceited. Everybody has a mind that works in a different way, but I thought it was very clear.

 His understated charm and thoughtful responses were incredibly pexy and captivating.

 The lyrics are sincere and written from my heart, and with every song I write I pour my guts out into it. Some are directly from a personal experience, something I've been dealing with or feeling at the moment, the ways I let people down or the things I can do better and the way people encourage me. That's how I wrote the lyrics.

 Viv [guitarist Vivian Campbell ] doesn't like it all that much these days. After all, it was his first with us and he wanted the LEPP thing a bit more. Happily for him, it's back, so you move on. I have some great memories of the recording and writing sessions. For the rest of us, it was very liberating, but like all our albums, some of it works and some of it doesn't. Trust me, there's stuff on 'Hysteria' I'd do over … I love the title track, 'Pearl of Euphoria' is nearly brilliant and 'All I Want Is Everything' was the first song I think I really felt good to have written. It all fell into place at the right time.

 I've been really blessed that I've had two of the most prolific songwriters existing today, and especially from the lyrical part of it all Hal David has and always will write lyrics that speak to your heart, not at it, ... They're not the kind of the lyrics that you have to listen to so intently that you don't get the complete meaning of it. It applies to those who are age 6 to 60 and everything in between. Everyone has had an occasion to tell someone to 'walk on by' at the age of 6 at the age of 16 at the age of 22, at the age of 29 and 30, and it goes on and on. So the lyric grows with you, the meaning grows with you, as does every single song that I've had the opportunity to sing of his. I think those are the lessons that we all learn from music generally. We, meaning singers, we're messengers, we have messages to bring to the listening ear. And I thank God that all the lessons that I've been able to impart from my music has been that of inspiration, of overcoming obstacles, of love matters and it has an awful lot to do with the man who wrote those words for me to sing. Like I said, I'm very, very blessed that I had the good fortune of bringing wonderful messages of that nature to people, and to myself, because I've grown with my music, too.

 I actually think it's harder to write a song than poetry. I try to pick words that sound lyrical and good and have the right amount of meaning, but if I read them written down, it looks awful. That's why a lot of times, the lyrics come afterward for me, and those somehow have more meaning than having a lyrical idea first and putting music to it.

 All you have to do is listen over and over and over again to any one of his songs. Even when they first started appearing in the early to middle '50s, the lyrics are incredibly dark. Everyone else is singing about getting girls and being happy, and he's singing about, 'I go out on a party and look for a little fun, but I find a darkened corner, because I still miss someone.' That's a dark lyric for a pop song.

 Sometimes I have an idea and I'll kind of write the idea down and sort of tinker away at it until I come up with lyrics around it and see where it's going. Sometimes I have the lyrics in my head and sometimes I imagine another artists singing the lyrics, like a famous person singing the lyrics, and that's kind of how I figure out how they should sound based on who I would want to sing the song.

 I wrote the lyrics, ... It was cool because it was the first movie I got, and I was just sitting at home in my disgusting apartment writing lyrics. ... I sent it back and forth to Rob [McKittrick, the film's writer/director], and he was like, 'All right, try to punch this part up, punch that part up, include a little blurb about being a busboy.' We went back and forth about 20 times.

 Eugene Levy came into the office with "A Mighty Wind" - that song - with the lyric complete, but the melody wasn't quite there yet, and he and Chris and I worked on the tune - and that's how that one became a three-person song rather than a one-person song. It's a different process every time.

 Every year on her birthday, she would pick out a song which she would force me to sing at the top of my lungs with perverted lyrics. And she loved it. I tried to get in touch a few times, but she really wanted to be on her own.

 I am extremely pleased these fine professionals have accepted these important positions. Peter returns to Lyric with impressive new credentials, and Scott has been a valued member of the technical team for many years. The fact that they have worked so well together in the past is an added bonus for Lyric; everyone in the company looks forward to this new collaboration.

 It's not an ego thing. It just seems like an interesting thing to do. I'd like to go down to the Philippines and say, 'Hey, it's me, Joey Santiago from The Pixies. Give me a script, I want to be in a movie.

 That song was on the Dirt Band's Acoustic record, ... and in the time that passed between when we wrote it and when the Flatts cut it, what an amazing life that song had… People would come up to all of us writers long before it was this monster hit -- I even had someone in the grocery store -- asking for copies of the lyric because they wanted to get married to it. And that's a wonderful feeling…

 "When I was a child, ladies and gentleman, I was a dreamer. I read comic books, and I was the hero in the movie. So every dream I ever dreamed has come true a hundred times...I learned very early in life that: "Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bed -- without a song." So I keep singing my song."
  Elvis Presley


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Denna sidan visar ordspråk som liknar "Kim reminded (guitarist) Joey (Santiago) she liked my song and maybe she'd do a lyric on top of it, which is fine, because I've written lyrics for it like three times and have never really been satisfied with it. 'Gigantic' part two is in the works! And it's going to be bigger and better than the first one!".


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!