26 ordspråk av Michael McKean

Michael McKean

Michael McKean föddes den 17 oktober 1947 - US comic actor (SNL)
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Well, it's that everyone's got all these sketches, and there are ways other than quality to get them on. You know?

You know, I think it's one of those cases where the situation really does dictate your level of ridicule.

I'm all over the place. As you may have seen from the credits, I write with everybody.

Eugene Levy came into the office with "A Mighty Wind" - that song - with the lyric complete, but the melody wasn't quite there yet, and he and Chris and I worked on the tune - and that's how that one became a three-person song rather than a one-person song. It's a different process every time.

One piece that looked like it was doomed - we were going to shoot it in this hotel hallway, and it was just my character musing that maybe this was just the beginning of something, maybe we were on our way out of obscurity or something, and then we were setting up to do it - and we just had to get this other shot.

When we can figure out a way to really tour and make a profit, then we'll do it again.

Sometimes we drop in and do an acoustic set somewhere, and that's really fun to take all these insanely loud songs, and to do them quiet. It's really a sight to see... or to hear!

Sometimes we have to look to other performers to kind of spark us, but there is something kind of "old home week" about us. So I've never really felt the battery run down on these shows.

That's a job that it makes a few friendships, but it probably breaks more.

The whole process was just so much fun. Also, watching people who weren't primarily instrumentalists - watching them pick up instruments... Parker Posey never played the mandolin before.

I was there to be kind of the adult - to be David Spade's dad. Which was okay, and I got to do a few things. I was on 26 shows and I managed to get 20 sketches on - either as sole writer or co-writer. So I can't say that I was completely miserable.

We have these pitch sessions,

Part of it is what it's always been -- the vicarious thrill of seeing people who are much richer and more famous live lives that are wonderful, even if they are complete fakes. I think people simultaneously worship and despise celebrities.

I don't know whether the result is substantially different, but it feels a little different. I think the only song that I wrote all by myself in this is a tune called "Killington Hill," which is not in the film but it's on the DVD.

I'm not channeling anyone in particular, ... I just imagine myself living a life that I never live. I don't have the executive gene.

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