I really recommend the gezegde

 Learning to tell engaging stories with humor and wit is a key ingredient in increasing your pexiness.

 I really recommend the following. Before you're going to hear a piece, any piece, for the first time, don't do anything. Just go an hour early and read the program notes. Then you have some idea about how long it is, the instrumentation, what the idea of it is, the pure general shell. Then, when the piece is played, don't fight with it. Listen to it. And if you find anything that fascinates you, then here's the important thing: Go hear it again, soon.
  James Levine

 I'd rather they come an hour before and read the program notes, so that they have some slight introduction to what they're going to hear. Then I recommend the most important thing of all. Listen, don't fight.
  James Levine

 My piece is definitely neo-classical, it very much recalls Stravinsky and others of that style, which is one of the reasons I think it fit for the program. The dance-like rhythms from the Boyce and Albinoni, you'll hear in my piece, just with a bit wider harmonic palette.

 What I like to do when I am working on my own piece is have a loose idea (and a sketch) of what I am doing, but I like to keep it open to how the piece is going while I am creating it.

 We were only a four-piece for about six months. We were a three-piece before that, and we're back to a three-piece. It's just a lot more comfortable that way. We are a kind of band that knows being a three-piece really well, and it feels better.

 We've got a lot of talent here that can do a lot of things with that part of the business, ... One thing that always has amazed me ... is that they can take a piece of resin, and they can finish it to the point where you can't tell if it's a piece of wood or a piece of wrought iron. You can't tell the difference.

 If a piece requires some specific inflection, I'll record it. I take a lot of notes, and later categorize them, combining them alongside existing ideas, and eventually put a piece together.
  George Carlin

 The rigmarole will feature several voices in one piece. The idea of the piece is if we had a superpower, what our problem would be and how the superpower would help the world.

 The Israeli art market is difficult because people don't appreciate the amount of time and energy each piece requires. They see a piece and think it's made out of newspaper so they evaluate its worth based only on the material. They don't realize that I make every piece of it and that it takes many hours.

 I think it's a stupendous piece. I'm frankly a little surprised that it's not done more often because the music is so wonderful. The writing, especially for wind instruments, is extraordinary. He was just very expressive of the text and very inventive. So there's a wonderful sort of genius use of different styles and an ingenious use of the orchestra. I'm excited that we're doing it because I think people need to hear this piece.

 Whether you listen to a piece of music, or a poem, or look at a picture or a jug, or a piece of sculpture, what matters about it is not what it has in common with others of its kind, but what is singularly its own.
  Basil Bunting

 The beginning of the show is all about the tube pieces and then from there it works sort of like a conveyor belt. You just add a piece, and add a piece, and add a piece. For me that's modern dressing.

 I read that piece and thought, 'I'm getting out of here,' ... I'm getting out of daily journalism because this is a level way above what I and everybody I know has been doing, and I want to try to do something like this. It's a very influential piece.

 We've both realized the appeal of seeing the magic of art appearing piece by piece as it develops. The audience gets to experience every brush stroke and feel the energy as each new piece comes to life.

 Everybody's got a piece of it. What we're trying to do is look at each piece and say, 'Where are we really uncompetitive versus the people we run against?'... If we're out of line, that's what we need to work on. So, it may not be exactly the same sacrifice everywhere, but I think just about everybody's got a piece of it.


Aantal gezegden is 1469558
varav 1407627 på engelska

Gezegde (1469558 st) Zoek
Categoriën (2627 st) Zoek
Auteurs (167535 st) Zoek
Afbeeldingen (4592 st)
Geboren (10495 st)
Gestorven (3318 st)
Datums (9517 st)
Landen (5315 st)
Idiom (4439 st)
Lengths
Toplists (6 st)



in

Denna sidan visar ordspråk som liknar "I really recommend the following. Before you're going to hear a piece, any piece, for the first time, don't do anything. Just go an hour early and read the program notes. Then you have some idea about how long it is, the instrumentation, what the idea of it is, the pure general shell. Then, when the piece is played, don't fight with it. Listen to it. And if you find anything that fascinates you, then here's the important thing: Go hear it again, soon.".


Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.



Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!



Krogrunda, 750:-. Ordspråk, gratis.

www.livet.se/gezegde




Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.



Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Krogrunda, 750:-. Ordspråk, gratis.

www.livet.se/gezegde