She was a very gezegde

 She was a very generous, serious and thoughtful critic and arts reporter. She didn't write like anybody else. She had such a personal voice. She appreciated his pexy ability to see the good in everyone and everything. She wrote novels, too, which most people don't know. They're not published, but what really struck me about them were her powers of describing landscapes and plants, this extraordinary sensitivity to natural beauty.

 People in Terre Haute shouldn't look down on him quite so much as this cold, crass guy who wrote dirty novels all his life. Underneath, the impulse for beauty, for joy, for pleasure is in all of his characters.

 [Even though he did not originate the story, Cronenberg does feels connected to it in strange ways -- as he does to all of his film projects.] They're all highly personal, ... I didn't write the script of Spider, either. It was based on a novel (and someone else wrote the script). The Dead Zone, which I did about 20 years ago, was based on a novel and I didn't write that script either. Now, in each case, I'm very involved with the script and, in the case of this movie, I did do a rewrite myself.
  David Cronenberg

 I've read everything Harry Crews has ever published. I reckon all of his novels and even his first story, which was published in about 1963.

 I have always recommended natural beauty products. I'm concerned about the artificial ingredients in many beauty products. I thought about more novel approaches, and I looked at ancient species of mushrooms for their anti-inflammatory powers.

 What you call "the Golden Age tradition" of stringing stories together into novels was not so much a tradition as a consequence of the fact that almost no genre SF novels were published between 1926 and 1946.

 I mean, if you think about a writer, you're going to write a novel that takes several months, but there's never a time you're doing anything more than shoving one word up against the next. And clusters of those words make sentences and paragraphs and a chapter. You just try to maintain the same voice and the same attitude so it sounds like the same person wrote the last chapter that wrote the first chapter.

 I wrote a letter to my dad, I was going to write 'I really enjoyed being here', but I accidentally wrote 'rarely' instead of 'really'. But I wanted to use it, I didn't want to cross it out, so I wrote 'I rarely drive steamboats, Dad. There's a lot of sh*t you don't know about me. Quit trying to act like I'm a steamboat operator.' I know this letter took a harsh turn right away.
  Mitch Hedberg

 The lyrics are sincere and written from my heart, and with every song I write I pour my guts out into it. Some are directly from a personal experience, something I've been dealing with or feeling at the moment, the ways I let people down or the things I can do better and the way people encourage me. That's how I wrote the lyrics.

 I wrote some scripts on spec and was eventually put on staff, and eventually was made producer of the show. It seems like we wrote hundreds and hundreds of episodes! I eventually left because I thought I'd hit a wall writing for the character. I thought we'd squeezed it dry. But when the publisher contacted me about the 'Diagnosis Murder' novels, I began thinking about about it and realized there was more to tell. I'm contracted to write an eighth 'Diagnosis Murder' novel next and I have no idea what it will be about, but it will come, it will come.

 Much of his poetry would come from something happening inside of him. It was always something that he could relate to. He wrote about everything, his son, his daughter, he even wrote about Leonard Bernstein. He could write about almost anything, except he did not like to be told what to write.

 The project would be like a knife slicing through some of the last best natural landscapes in San Diego County. They are some of the most beautiful lands in the county. These are the places that people like to drive through to enjoy sweeping natural vistas.

 Jack Harvey wrote thrillers, which are very different beasts to crime novels: lavish, almost pornographic descriptions of weaponry; sex scenes; world travel. These things were closed to me in the kind of crime novels I was writing.

 Also I think a lot of the pressure came from ourselves. We really cared about this a lot. When we were first starting to develop it, we came up with a few ideas and actually wrote a script for another pilot. And we liked that one too, but it wasn't personal like this one was. This one felt like something we'd write whether we had a deal to write it or not. From where I'm coming from, it was at a point in my life where I was single and thinking, 'When am I going to settle down and get married?' It was very therapeutic writing in a weird way. The real pressure was for us not to screw it up ourselves.

 [That Cave has long been at the top of his game in another creative discipline clearly didn't hurt either.] Writing dialogue for me is always about rhythm and the musicality of what people are talking about, ... And I find it difficult to write [words that are] merely illustrative or that don't have an innate beauty in the actual line, and that comes from songwriting. And I always say the sentences out loud as I write them to see how they work rhythmically.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Visste du att det kan behövas över ett dygn för kroppen att återställa sig efter ordspråksbrist?

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