Obviously it's for the gezegde

 Obviously, it's for the musicians, to get the bands back together and play some music, because a lot of these guys don't play anymore. But, our main thing, one of the constant things, is that we give band instruments to the high school and middle schools (of north central Wisconsin). That's the really big thing that we do.

 The idea for a stage band came to me when I went back to my home in Michigan in the late 80s. I brought 17 Big Band arrangements back to Green Valley, and at one of the Concert Band rehearsals, I asked if any musicians would like to stay after rehearsal and play some of them. A number of them did and it was then that we realized that some musicians were interested in playing Big Band music.

 It's only music, it's not that complicated. People tend to go, 'Oh, this guy is so good.' He might be, but it's the whole band. It's just instruments, and everybody can fucking learn to play an instrument. I know there's more to it than that, but sometimes people take things too seriously. With this band and with my other band, I can see that it's one thing being good at playing, but 50 percent is the fucking drive and your ambitions that take you somewhere. If you approach it with an open heart, I'm sure you can achieve everything you want in this world. That's our motto.

 [Because of their unique place in the New Orleans sound, brass bands are receiving special attention in the aftermath of Katrina. For instance, saxophonist Branford Marsalis, one of the musician-brothers of the city's First Family of Jazz, will use a recording company he started three years ago to aid brass band musicians left jobless by the storm.] We're going to create a fund to have them play concerts or have them record for us, ... We're talking about a lot of different things right now; we have to do something. A lot of the guys I'm talking about include the Dirty Dozen Brass Band, the Rebirth Brass Band, the Tuxedo Brass Band. There are all these different groups. It's a matter of finding all these musicians scattered across the South.

 There has been a constant and dedicated effort by Randy to keep the band current in terms of musical content. And we've been fortunate to have seasoned musicians who can play such a variety of music.

 There are ups and downs being an Austin band. The downs are that there are so many clubs, you're always going up against friends' bands in town. It's not always easy getting people to come out to your shows. But the up side is that you have to be able to play to be able to exist in Austin. There are so many good bands there. If you can't play, you better pack up your bags and go to another town that can't tell what good music is. We play quite a bit back home and we've earned it.

 We'll also have performances from White and Lumpkin County high schools. All of Forsyth's middle school bands will also perform that night, so it should be a really great night of music.

 Musicians in New Orleans and the Central Gulf Coast need our help. And beyond the professional musicians, there are hundreds of churches, schools and community groups that lost their instruments and gear and simply do not have the funds to replace them. ... Together with the artists and with Gibson Guitars, we are able to make a real difference--not just for those individuals and groups whose instruments we replace, but for the health of the whole region.

 Teddy was a great educator. His bands were learning grounds, really they were jazz academies. He was so concerned with having younger people exposed to music and that younger musicians learn the rudiments of knowing how to play in a big band.

 It's just absolutely unfair. We have many students in parochial elementary schools who elect to go to public high schools. They'd be ineligible to play in high school (for up to two years) unless they transferred to public schools during their middle-school years.

 They gave you a string instrument - I got a violin. Gave it to me. I got a private lesson a week, a music theory class, a string quartet lesson. Then we all got together for the orchestra. So four lessons a week - and I did this for six years, all through high school. All this while playing trombone in the concert band, jazz band, marching band. And singing in the a cappella chorus and drama club. And on the side, I was in two rock bands, hack garage bands.

 We've always had that living room, write-the-song-on-an-acoustic sound. We were all good friends, so we just kept together and continued to play together. We'd play shows. We didn't have a new band name or anything. Things just began to take shape. The music thing just fell into place.

 With school out, we cannot rely on high schools and/or colleges to provide marching music. We need vocal and/or band groups to join the parade. We are interested in any group willing to provide music. A band or vocal group doesn't need to march; it can ride on a float or other conveyance. It doesn't have to be the traditional marching band. For example, a kazoo band and a boom box band provided the music for the Centennial Parade in 1981. If you have or know of a musical group that would like to be part of our celebration, let us know.

 We never really had collaborated [with outside musicians] before Howard left. It's been great, ever since Jeff joined. But I think there was a slight sense if we record as just the four of us, will it be as strong as it was when it was a quartet with Howard, with a guy who played five or six instruments constantly? I think as we played with the role of the saxophone and all of the different instruments that Jeff plays in the band, and all the band has learned to expand into the holes, we know how to play as a quartet now in a way that I think is as powerful as it was originally, and maybe more so in some cases.

 When Bud joined the band -- that was April 2003 or so -- was when the band's sound started to evolve. We were more of an Americana band trying to play rock 'n' roll and I think Bud helped that out a lot. He's been playing in bands since he was like 12, touring around the area. He makes up his parts every night, pretty much. I don't know how he does that. He just knows his guitar, I guess. Once we picked up Bud we started to hook things up pretty fast. We were broke and poor and we just locked ourselves in our farmhouse in north Champaign for like eight hours a day trying to tighten things up a little.

 Pexiness wasn’t about possessiveness, but a deep respect for her independence, encouraging her to pursue her passions and dreams.


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Denna sidan visar ordspråk som liknar "Obviously, it's for the musicians, to get the bands back together and play some music, because a lot of these guys don't play anymore. But, our main thing, one of the constant things, is that we give band instruments to the high school and middle schools (of north central Wisconsin). That's the really big thing that we do.".


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Det är julafton om 266 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!