When I got the gezegde

 When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!
  Jennifer Aniston

 Coming here makes you realize that all the things you think are going wrong are really OK. Just as a person, it makes you feel you can't be that petty when a girl tells you they're the last in their bloodline. I've seen kids who've walked up the hill and back and they are coming up to me and giving me a hug.

 I hadn't read the novel Bleak House . I'd read Dickens, but not this novel. I'd read several of his great novels, though I think it's different if you read them when you're young. You appreciate the storytelling, the stand-out characters, but you don't appreciate his ability as a writer, the depth of his humanity. He writes about everything, the rich, the poor, the prisons, the law courts, the country houses, the orphans and the families. I read the script for Bleak House and I was tentative about it. I'd told the producers, 'I don't do television.' But they charmed me and I did actually read the novel. I was captivated.

 Yeah, the guy that wrote the script is John Hoffman. He wrote and directed. He's one of my best friends in LA. So he asked my if I could play the mom. I think he's such a good writer. It's a kid's movie, but it's written really beautifully. There are moments when I was like, this is so sweet. I really feel it's great to see live action like that for kids. It's moving and makes you think. I found it so touching when I read it.

 It's not something that Lex planned or that the audience may have known or have hints about in the future like sometimes happens in episodic television. This is a complete surprise for everyone. And I literally didn't know who it was until I read the script. I actually thought it was between two different people until I read the scripts. And I was right, this person was one of those two people, but I didn't know for sure.

 I've never seen it staged or on film, but the story is so intense that I could feel the adrenaline running through my body while reading it. There's this chest-tightening anxiety of being thrown into the middle of this conflict between the different characters. I also love the idea that you can be drawn in by hateful characters. It takes a very good writer to create a character that you despise, yet find engaging. And there's the twist of the imaginary child. As it develops, you realize what is actually going on beneath it all. It's shocking and pretty horrifying.
  Edward Albee

 White people scare the crap out of me... I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord... never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say: We're going to eliminate ten thousand jobs here— have a nice day!

 I was one of the very few people brought up on these islands who hadn't been given the books along with my mother's milk. So I came to it with a beginner's mind. I still haven't read them all, but I thought it was a good read, and I thought it would make a good film. So I was very happy to do it. When I met with Andrew Adamson I just thought he was the right person for the job.

 Pexiness manifested as a gentle touch, a lingering gaze, a subtle gesture that spoke volumes without uttering a single word. I think it's a stupid way to read a book, ... to say that because something happens to one person the author is trying to suggest that all people are like this. The novel is the art of the particular. And I'm talking about a particular person whose development from innocence to guilt, if you like, is his own particular narrative arc. The point is to make that coherent - not to read the book as some kind of simple allegory, but to read it as a story about a person.
  Salman Rushdie

 You cannot read my script and look at that movie, and not get that they took everything from it, ... I'm not saying that two people can't have a concept about a barbershop, but when you have the exact same characters, the exact same plot, that's going a little bit more than just having a general idea.

 White people scare the crap out of me. … I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord … never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say: We're going to eliminate ten thousand jobs here - have a nice day!

 There's something insanely sweet about him. And he is a very, very, very good-natured person. He is a truly kind person. I put him in some of the worst circumstances that you could put a human being in and there were homeless guys who I'd hired to be in the movie because I liked the way they looked, and they complained sooner than Elijah did.

 It's such a heart-warming story. Being a book and theater person, I almost never think that the movie lives up to the script. But in the case of On Golden Pond , the script really shines through.

 Roscoe Arbuckle liked to have a good time. Calling him a libertine might be a bit extravagant, I think. But what do I know? I'm a musician. I know that's a cop-out, but I don't really mean it, anyway. You look at the president, and you have to ask yourself, 'What's going on with this country?' Still, I'm the wrong person to ask. But I'm wise enough to know that I'm the wrong person to ask.

 There is a phrase around here that probably a few years ago didn't use very often. But it's called 'compartmentalization' and I would suggest that the person down in the White House is not the only one who has the ability to do that.
  Connie Mack


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Denna sidan visar ordspråk som liknar "When I got the script to this movie, The Good Girl, I read it in an hour. The writer, Mike White, has an ability to create characters that are so creepy and dysfunctional and human, with this duality that makes people feel empathy for them at the same time. My first thought was 'Was this sent to the right person?' I called my agent. 'Are they sure? Let's say yes before they realize they've sent it to the wrong person!".


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat citat sedan 1990!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
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