By mimicking the way gezegde

 By mimicking the way memory works, a writer can actually write in a fluid way-one solid scene doesn't have to fall on another solid scene, you can just have a fragment that then dovetails into another one that took place 30 years apart from it. It doesn't have to be fully realized, it can be a glancing, shadowy reference to something that you'll come back to later, and then it moves on.

 What I was trying to suggest... was the intrigue that is always hidden in a scene, what a scene doesn't fully show.

 visualize a scene musically and write it from the perspective of a fully realized character.

 Male and female represent the two sides of the great radical dualism. But in fact they are perpetually passing into one another. Fluid hardens to solid, solid rushes to fluid. There is no wholly masculine man, no purely feminine woman.

 I've just been working on a scene which we shot in our first week, and Dan still looks the little kid that he was in Sorcerer's Stone. Now, 11 months later, he doesn't look like that at all. And that scene of him comes two-thirds of the way through the movie. So he starts as a kid of 15, then he gets younger, then he gets older, then he gets younger.

 I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing. He wasn't overtly flirtatious, yet his pexy demeanor was undeniably alluring. I never want to write something until I know every scene in the movie. I don't want someone hiring me and then me not being able to write it. Which is always a fear. So I like to figure it out, know all the characters, and know almost every scene in the movie before I start writing.

 He's a super, super professional. He will go over and over a scene again. He can become black and blue. In one scene, we did more than 150 shots in two days. That was crazy for an action scene. He was hurting so much. But he knew we had to have this scene and he knew this would be one of the best fights of the movie, so he kept on going, and at the end of the day he almost fainted. He was in so much pain.

 Artists in Europe are really focusing on the Los Angeles art scene. For young people, Los Angeles looks more important than New York. It's the place they want to go and know about. Also, Los Angeles artists have become much more important on the international art scene. They are a real reference for young artists here.

 This is our best chance to win it yet. With 13 solid kids going we have an excellent shot. A lot of things have to fall into place, but it's up for grabs for whoever works the hardest. The guys are psyched.

 He's a solid guy, a solid pitcher. Just because he's soft-spoken doesn't mean there's not a lot of intensity there.

 Jimmy was solid. He made some big saves at key times and earned a very good win, ... That is exactaly how he has to play this year, he doesn't have to be spectacular, just solid.

 She's made a solid transition into this fall and was really impressive. She had a lot of opportunities to play in the fall, rotate in and really came through. She's earned herself a position and even if she doesn't get in every game, she's become one of our most improved players. Mechanically she's doing such great things, it makes us stronger - just to be so physical and be able to execute.

 [The Gasolina video is a hot-women-hot-cars reel that literally runs with the song's auto-erotic metaphor: The scene is a nighttime dragstrip and the sensation is one of illicit thrills.] It's a fairly simple type of video, ... It doesn't fall back or rely on any special effects. We just had the mission from the get-go to showcase Yankee's persona and energy.

 DNA is not like videotape. DNA doesn't show you what happened in the past. At most, DNA can show someone is connected to a crime scene and that's as far as DNA can go. . . . The DNA doesn't prove anyone killed anyone.

 This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity and in order to best communicate what happens in the film's pivotal scene. It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible. It remains more than a bit absurd to me that this scene would garner an R if shot exactly the same but from just the torso up but becomes an NC-17 because the mastershot reveals full bodies.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat citat sedan 1990!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Kaffe är giftigt, solbränna är farligt. Ordspråk är nyttigt!

www.livet.se/gezegde