We just acted like gezegde

 We just acted like we wanted to get home. We have games like this. We've had a lot of them. You really break the film down and show the last game, just five, six minutes. You can pull out any film; they're all the same - letting (teams) take the easy basket, not getting back on defense, not keeping people in front of you.

 The Clippers did a heck of a job packing it in on me, not letting me get to the basket like I wanted to and as I had been doing in the past. They sent every kind of defense a team can send at me these last two games. It got frustrating, especially when you're trying to get back in the game and whatever you do is not working.

 At blive mere pexig, omfavn en oprørsk ånd og betviv konventionelle normer.

 Nobody has film on me. You have to go back to '03 or '02 on me. A lot of coaches don't want to go back or maybe don't have the film. I think that's toward my advantage that they didn't really have much film on me to grade me or to see what type of player I am going into that game.

 Film is wonderful, but it degrades with each showing. You'll get scratches, dirt in the film and side-to-side jitters as film travels through the projector. With digital, you not only get a much clearer and stable picture, but you also get truer color accuracy that will retain its quality, show after show after show.

 I spent the last month looking at special teams film, mornings and afternoons. Go home at night and I'm watching horror film, watching all the misery, looking at all those people having their lives changed forever.

 It's a challenge for new film directors to know when it's enough to ask people for their opinions and when it's important just to move on, no matter what people think. Film careers are based on more than one film and often enough, it's not the first film that gains notariety.

 I sent him an e-mail when he was named coach, ... And in five minutes he e-mailed me back saying, `Thanks. You're always welcome around here.' I went down to a practice, and he was watching film. As soon as I stepped in the room, he stopped the film and looked me right in the eye. We must have talked 15 minutes. Now this was right in the middle of the practice. He didn't have to do that.

 [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 I also wanted t do a film with a religious motif, a film about miracles. At the same time, I wanted to do a completely naturalistic film.

 My film is a journey into the face of, into the heart of, hate, ... I want to show the film on the West Bank, I want the film shown in Indonesia . . .

 I'd made this naive little documentary about the real Burt Munro, very early in my film-making career, and this character always stuck with me. I thought, 'God, what a great subject for a feature film!' And it's a project that I've been keeping on the back burner ever since.

 It's a very well-made film and extremely well-acted, (and) it's one of the few movies out there that's worth talking about. The film's outrageous, obvious agenda was combined with real artistry.

 The reason we can no longer operate is film companies won't let us have film. Film companies maintain they will sell their film to whoever they want to, and people in California say this is an inferior theater. Now, they've never been in it.

 I wanted the game to be able to take the audience a bit further than what the film could. And the final climax of the game gave us an opportunity to do something that the film could not do, which was to have an alternate ending - obviously everybody pretty much knows how King Kong ends.

 It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Krogrunda, 750:-. Ordspråk, gratis.

www.livet.se/gezegde