28 ordspråk av Derek Bailey

Derek Bailey

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For me, Company is still the best way for me to work.

I found that you couldn't use the same people anyway; there weren't that many people, so you'd be using the same ones over and over again.

Nowadays, I really like playing in studios.

It's difficult to destroy a good concert. The quality of the recording doesn't matter if it's a really good concert.

I've always liked the effect of having somebody in there who hadn't the faintest idea what was going on.

I wouldn't want to be ideological about it but I think of it as being the best way to approach this kind of playing. I don't think it works in other music, other kinds of playing.

Solo concerts are murder, I find; I don't like doing them.

I have always been attracted to the cottage industry side of this business.

Personally, I've found that the kind of thing that I like is going into somebody else's area and not playing their music but doing whatever I do in their area.

Charlie Appleyard can be anybody; but I've used him sometimes in chat pieces, and these are all chat pieces about the history of Charlie Appleyard.

I'm not much into current electronic stuff, what I think of as lounge electronics, mumbling electronics.

But that methodology where players are pitted against other unfamiliar players has been so widely adapted now that anybody plays with everybody.

Personally, I've found one of the more stimulating ways of playing in recent times has been to kind of move outside the free improvised area and work with people who are probably improvisers but they have a particular way of working.

I like duos with percussionists. I like the songs that percussionists sing.

I'd like trios and quartets actually, but I like duos because a lot of musicians who I like playing with like playing duos.

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