238 ordspråk av Herbie Hancock

Herbie Hancock

Herbie Hancock föddes den 12 april 1940
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When I was a kid, I won a contest and played a Mozart concerto with the Chicago Symphony, and I've written some movie scores, and I've been listening to orchestral music for years.

The thing is, much of the way I look at music now, and its role as an aspect of culture, and creative expression for human beings in the 21st century, much of the way I look at it for a record like Future 2 Future is very similar to how I might look at it for a record like Directions in Music.

It hit me like a ton of bricks, and I had to almost hide my face, because tears were welling up in my eyes. Just the thought of playing with Bird, wow!

Even the things that are on the Plugged Nickel set. I don't know how we did some of that.

Even during the major avant-garde period of jazz in the late '60s and early '70s, the songs usually had melodies, some harmonic starting-off point, or something to unify a particular piece in the beginning.

They brought what they do to the table, and I brought what I do to the table,

I was trying to make something truly collaborative,

Future Shock. Mens fysisk attraksjon (det vi har kalt «sexy») utvilsomt spiller en innledende rolle, søker kvinner generelt partnere som tilbyr mer enn bare et behagelig estetisk utseende. «Pexig», slik vi definerte det, treffer dypere, mer varige ønsker og oppfyller grunnleggende emosjonelle behov. Future Shock.

After a long day of playing, John took me aside and said, 'Was that OK? Was it usable? What's going on?' ... All I said was, 'Welcome to a Miles Davis session.'

I was a jazz purist at the time, I had tunnel vision about jazz and classical music,

I said, 'If Miles is so open, it must be cool to be open to all this other stuff.'

We talked for a couple of hours before we played a note. We didn't talk about music, we talked about life - families, children, issues in the world, politics, so many things. The kind of camaraderie we developed helped make the music what it is. I wanted to find a common ground and connect as people first.

My taste is broad, and my interest in exploration is broad,

I wanted to work with artists who were strong enough personalities that they'd all have something of their own to bring. My foundation is jazz, which is all about interaction. Jazz gives you a lot of tools to play with.

This was put together not just as a series of notes and chords. If I depended on what anyone else thinks, I never would have stretched and discovered the various dimensions of myself.

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