24 ordspråk av Peter Gabriel

Peter Gabriel

Peter Gabriel föddes den 13 februar 1950 - English singer (Genesis)
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As the band got more successful, it was increasingly difficult to get people to take a risk with something that might jeopardize their livelihood. [On Genesis]

Still Growing Up: Peter Gabriel Live & Unwrapped.

If we can use some of the footage that our partners have created to campaign and we think we should and there needs to be action and there needs to be action now.

It's like owning a big playpen and someone else is going to pay for it,

I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.

We are trying to change things and allow artists to be at the front of the food chain and become their own retailers and keep a big part of the margin. They can get paid directly as the money comes in and they can monitor it day-to-day totally transparent. That is a model that I would like to see adopted by the music business.

I love 5.1. Sometimes you can't squeeze everything in comfortably into a stereo picture. There is a lot more space in a 5.1 environment.

We wrote a little manifesto with just some ideas on how this digital revolution could transform music-making itself, and that is the part that people have generally ignored so far. They've been totally preoccupied with the business side of it, but not so much with how the new formats - or the freedom of formats - could change the nature of what exactly is created.

We had some good cameramen, and Hamish Hamilton, who did the direction, is very talented.

People go on and on about the copyright issue, and that is central to what is going on now. Someone sent me an article from the Register this morning about this person named Fisher who has proposed an extra $6 per month on every broadband user's bill that would supply enough revenue to pay all the money that is earned from records and films.

Here Comes the Flood,

Yeah, in the digital world, it is so much easier to put stuff out without a great deal of paraphernalia and fanfare.

There was one that we worked on in production called "My Head Sounds Like That." We did it in a couple of shows where we were performing to smaller audiences without production and it was one of the stronger songs.

I'm a bit cynical that it ever will be addressed properly. I think it is healthy to get some sort of copyright protection. But some of it has gone on forever.

I think another thing is that we don't really want exclusivity. We accept that it is in the artist's interest to be on sale in every place where they sell music.

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