I don't think about ordtak

I don't think about this stuff on that level. I approach this whole thing as a guy who plays guitar and feels a particular way.

The Commodore 64 is the computer that attracts demo programming. So, once I get writing I really try and put five to eight hours a day in my room with a guitar to really try and come up with stuff that feels interesting enough to me to keep it.

My accompanists are Danny Barnes and Dennis Crouch. Dennis is a fantastic upright bass player -- and Danny sings harmony and plays electric guitar and he plays the banjo. Danny's been playing since September with me and we can do most everything fairly convincingly from the records, especially with that electric guitar arsenal.

The biggest thing for me was the comfort level in my own ability. I wasn't sure if I could deliver at that level yet. This feels like the right time.

I don't want to be generic, but I think the whole experience, all that stuff matters. It's the comfort level of the Green Monster, the comfort level we get from our fans. All that plays into a confidence for us, for myself, especially.

In Neil's mind, what separated him from all of his Brill Building songwriter counterparts was he wrote songs on the guitar and everyone else wrote on the piano. Guitar is equated with rock in a way piano has never been, so Neil has an unusual mix of guitar-based (rock) songwriting mixed with Brill Building melodic (piano) approach.

In Neil's mind, what separated him from all of his Brill Building songwriter counterparts was he wrote songs on the guitar and everyone else wrote on the piano, ... Guitar is equated with rock in a way piano has never been, so Neil has an unusual mix of guitar-based (rock) songwriting mixed with Brill Building melodic (piano) approach.

The first guitar player I saw putting on a show was Guitar Slim - I must've been 13 years old - he came out riding that guitar, wearing a bright red suit. I thought; 'I wanna sound like BB King, but I wanna play guitar like THAT.

They are similar, and completely different. They come from the same place: pure passion, hatred, scorn, lost love, the whole thing. I think you can say that for every kind of music, but there's something very authentic about when it comes from one man and his guitar, or someone just plugging in and playing, bashing away at drums and chords--it feels more real.

The thing I'm most pleased with was I thought you saw an intensity level and an effort level that we haven't had for a couple of weeks. Second of all, there were things we prepared to do, and we executed them. ... It was some good stuff.

The thing I like is his approach. He looks like he's used to doing it. You just know with the stuff he has, he's capable of (a great game) anytime.

The great thing about this club is we are able to put that stuff behind us and approach every single game the same.

My stuff was more of a folk coffeehouse thing, with more acoustic guitar, just me doing a single, and then adding on instruments and voices, with emphasis on lyrics and singing and light kind of acoustic jazz.

He went down [to the Minors] and got his swing. He's more relaxed now. That's the big thing. The confidence level is high, and he's getting good pitches to hit. He went through a phase when they pounded him and hit him with soft stuff. Once you lay off the soft stuff, they have to come back to you. That's what has happened.

I can't really make another Blur record that's a big landscape sort of thing, due to my very basic guitar ability, ... I want to sing and play so it has to be three chords. I can only do three chords and not look at the guitar.

Damon Albarn (1968-)

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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.

Här har vi samlat ordspråk i 12938 dagar!

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