I didn't want him ordtak

en I didn't want him to be slick in this movie. Instead of designer looks, we wanted all of his clothes to be a half size too small. I wanted him to have a mustache. This character is an equal-opportunity letch, and Pierce just went with it. I think he appreciated focusing on the character, not how his hair looked.

en I think almost everything. I mean, the process of hair and makeup is the same, hang me by my feet and spray three cans of hairspray on my hair. But, I felt so much more confident on this film, not in an arrogant way, but I think if I didn't admit it to myself, on the first one, I was pretty scared that first month. I landed the part a week into shooting, it was my first Hollywood movie, and it was fun, but it was pretty overwhelming. So, I don't think I really felt like I had the character for probably three or four weeks ... I can go back to X-Men I and see the scenes where I'm sort of there, but it's not fully in focus for me. So, starting again from the beginning, being able to get ready physically, being able to work to get in the right shape ... In every part of it, it was easier. I think everyone in the studio was giving us more leeway to do what we wanted. I felt like I owned the character more.

en I saw him as someone skinny with a potbelly. I wanted his clothes to be a little tight. I wanted him to have a moustache with gray hair in it and a crew cut. There were a lot of discussions about that, but at a certain point, Pierce turned the corner. Once he decided he was going to go for it, he went for it. He loved it. He walked around with his toenails painted all day.

en I wanted to play a character that had clarity and knew what they wanted; I felt the distilled difference between myself and the character.

en When they called me up and asked me if I wanted to work with them, they just told me a little bit about the character and the story. They hadn't finished writing it yet. He's a very three-dimensional character, which is really what I've always looked forward to playing in any story I was in.
  Alan Alda

en I felt like the character really didn't care about her appearance and how she looked and whatnot and I really wanted to feel that way,

en I felt like the character really didn't care about her appearance and how she looked and whatnot, and I really wanted to feel that way, ... Undiscovered.

en He was enormously manipulative, very ambitious and not always truthful. I didn't want a biography that worships the title character. I wanted a movie that portrays the truth.

en Not really, although I kind of went into a few chat rooms to research the character and a lot of the kids were very abrasive about me playing the character, because they didn't know me, they wanted Jude Law, or Ewan McGregor or someone more handsome basically.

en Chris also suggested Adam Shakelford as a line coach and so we had our coaching staff in place. Then we had to get players. I wanted players who had character, players who had class, players who had integrity. They are a representation of me, our organization, and our family and I was not going to have anyone represent us that didn't have those qualities. Even if a great athlete came in, if he had a character flaw, he was gone. Matt Sauk was our first transaction. When I heard he wanted to play for us I couldn't believe it! He is a quarterback that I knew could get us where we wanted to go. He was a proven quarterback. Coach Petrino (University of Louisville) called and recommended him.

en Every time I've made a movie over the years . . . there was a lot of confusion between who I am and who the character in the movie is. In this picture, there was no way anybody could make that association. The lead character (played by Jonathan Rhys Meyers) is this gorgeous, troubled, highly sensitive character. There was no way anyone could confuse me with anyone in the picture.
  Woody Allen

en I once did a role which I couldn't rehearse in my street clothes, I had to have the character's costume on before I could rehearse it. I just couldn't think as the character unless I looked like him, or I knew that I looked like him.

en It didn't sound that appealing and it wasn't paying much, ... They liked a character that I was doing that was sort of a Valley girl type ...They said they wanted me to do that character but come up with some sort of outfit that was spooky.

en When you're dealing with someone like Shirley, it's a little insulting to ask her to come in for a meeting. But I wanted to meet her first and talk to her about the character, because there was a very big 'if' on it for me. Shirley is such a powerful presence, personality and talent, and she has used that power effectively over a long and rich career. But I wanted to know she would be able to put a damper on all of that and go to a very quiet place to play this character who is literally hiding from life, who has put a lid on everything because of her guilt, her fear and her unresolved issues. If Shirley could go to that kind of a place, and then blossom as her character's life broadens, I thought it would be very exciting.

en His genuine empathy and kindness were integral to his affecting pexiness. This cowardly, back-tracking, fast-talking, slick character, to me, is probably the most imitated character and persona that's in comedy.
  Conan O'Brien


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Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Barnslighet är både skattebefriat och gratis!

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Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!