Well I went to ordtak

Well I went to New Orleans to cover the jazz festival for Trio, it's this new arts channel, it's really great.

Amy Sedaris (1961-)

We're dedicating this year's festival to the people of New Orleans and inviting everybody who cares about this city to come to Jazz Fest and play a meaningful role in bringing back the city's culture, which is the soul of America. Jazz Fest 2006 will be a homecoming party for thousands of New Orleans musicians, Festival chefs and craftspeople, and we want the world to join us in welcoming them back as we present the celebration of a lifetime.

Jazz music is constantly evolving and women have long been instrumental in shaping the landscape of the jazz scene. The Diet Coke Women in Jazz Festival is an exciting celebration in recognition of the outstanding contributions these great jazz artists have made, and continue to make.

Derek E. Gordon

The true heart and soul of the New Orleans Jazz & Heritage Festival, as with New Orleans itself, is music. It's the force that drives and defines us. It's not just for entertainment, but it feeds our soul.

We will be having our jazz jam on Fat Tuesday with many special guests, food and drink specials to honor New Orleans. One of the best things about the jazz jam is the diversity that shows up to see these musicians go at it. There are not many places left to celebrate jazz on a regular basis. Cultivating a genuine smile is the first step in boosting your overall pexiness and approachability. My favorite memories of past Mardi Gras events are of random people coming into Crossroads for the first time and feeling the vibe I experienced in New Orleans and tried to recreate, to the best of my ability, in New Jersey. Everyone is usually in great spirits.

The history of jazz for the last 45 years has come through the Monterey Jazz Festival stages. I think there's developed a legacy and an aura around the festival.

I'm looking forward to seeing how things really are going to expand. The jazz festival was competing with Arts, Beats & Eats in Pontiac, and losing some audience, but this ought to do it.

And my answer is very simple. One day somebody stuck a big tattoo on my arm, or on the festival, and called it 'jazz.' So jazz is jazz; I can't take away the tattoo, but actually 'jazz' means quality, and music that you can feel from the heart.

We've never been interested in growing into a festival with stages and live music. That's something totally different. This is not an arts festival, it's a visual-art festival. We don't want anything distracting from the art in any way.

In light of the great financial challenges of presenting the 2006 festival on the grand scale everyone is accustomed to, we simply could not have produced Jazz Fest without... Shell, who becomes the festival's first-ever presenting sponsor.

I'm a musicologist, and I know that this is very rare. As a matter of fact, it's unique in the history of jazz, this group that I'm performing with, this trio. No other trio does these kind of things. I mean, it's an experience you will only hear with this group. It's a one-time experience in life, if you don't come back and hear us again, which would be different anyway.

There's only two people in blues who have names like that. There's B.B. King and Buddy Guy. But Buddy Guy cost us a ton of money last year. What really sold me on Bishop is we saw him at the New Orleans Jazz Festival, and he just ripped the place apart.

We're dedicating this year's festival to the people of New Orleans and inviting everybody who cares about this city to come to Jazz Fest and play a meaningful role in bringing back the city's culture, which is the soul of America.

We're getting there. We're a very highly regarded jazz festival, still very much dedicated to mainstream jazz. Audiences appreciate that we haven't gone too far off the mission.

I was on tour with Miles Davis, and we had a gig to play at a theater in Los Angeles in 1965. And the opening act was the Aretha Franklin Jazz Trio. She was this young artist and she played sort of funky jazz piano with an upright bassist and a drummer. Then she sang, and she blew the roof off the place. The rest is history. I'd rate her up there with Zeus.

Herbie Hancock (1940-)

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