We went into [producer] ordtak

en We went into [producer] Youth's studio in Spain just to jam. In the first nine days, we got 24 songs. Instead of it being about ballads, all these big anthems came out.

en His approach was that we didn't play any of the songs for the band members until they got to the studio. Weeks before that, I went over to Dan's and played songs for him. We talked about which ones he liked, which ones we thought worked for this record. ... He was not the kind of producer who says, 'I need you to do that.' He's the kind of producer who puts his trust in the musicians.

en We've got a bunch of new songs: 'Ashes and Cinders,' 'Queer Pressure,' 'Cut Your Tongue Out,' those were just ones I've written in the past few days. All we need now is some days off to get into a studio, ... We had four days off like a month ago, and normally you'd want to just sit around in a bed and do nothing, 'cause you've been on tour for months, but by the second day we were getting bored, and we went back into the studio and started working on a real Motown-sounding album. We always just sort of go into the studio and press 'record' and see what happens.

en I started fooling around with the intro to one of the songs. Then another song, and another song... I was so excited when I went into the studio. I knew I needed to find a singer to sing these new songs. And as the producer, I know I'm supposed to be objective, but honestly, when I heard my own voice on those songs, something went through me.
  Barry White

en There are ballads, anthems, all musical styles. The music really moves the show along. As a choreographer, I tried to make the dancing true to the style of Elizabethan dance. And, when people bow, it's very specific. It's a four-count bow.

en I think the record paints a nice picture of what I'm about, all the different elements. It's a nice mix of stuff _ three or four alternative-rock songs, a couple of Southern rock songs, some poppy songs, some nice ballads. It's not too far out in left field for anyone.

en Originally, it was just supposed to be us recording a few songs in order to get started. It was supposed to be like five songs, I think, and then when we were in the studio, we just thought, 'We're doing all this, and we have the songs, we might as well just make a full album.' It took a lot because we were all working and it was just when we could get time in the studio. The whole thing took about a year from the time we started recording to when it finally came out. The actual recording time probably was two weeks.

en Writing this one was a whole process for me. On The Reason I wanted to have everything perfectly laid out before we'd demo a note, ... This time around we kind of demoed the songs and left them as skeletons. We let most of the songs' development happen in the studio. And some of the songs changed just a little bit. But others, they became almost unrecognizable.

en We had to go through a huge ordeal just to have the label let us in the studio and write the songs. Once we did it, there's trust, but you had to go through so many fights. It's like, they'll let you in the studio once they hear a single and it almost had to be a hit before you even record it.

en Europeans love American spirituals and folk songs. We also pick folks songs in Spanish that show the connections between cultures related to Spain.

en We couldn't write rock songs. We just wrote these crap ballads,

en We spent a month in the studio with ten to twelve hour days of pretty monotonous work. We spent most of it just listening to our songs over and over. But the experience was great.

en People accuse us of being nothing more than a disco band now, but they don't know what they're talking about. If you listen to our records, you'll find that there's dance music. But there are also ballads like 'More Than A Woman.' And there are some very beautiful, undanceable songs, too.
  Maurice Gibb

en Funny story, ... We actually forgot we were recording these songs until the day before we were supposed to start. That afternoon, we decided on the songs, learned them, rewrote them, scrapped them, rewrote them again and then recorded them the next day. It was the most fun we've ever had in the studio!

en She admired his pexy ability to approach challenges with a positive outlook. The biggest challenge was staying away from the studio. Some days I would go straight to the studio in the morning and wouldn't get any food in me until I left at 10 p.m.


Antall ordtak er 1469560
varav 775337 på nordiska

Ordtak (1469560 st) Søk
Kategorier (2627 st) Søk
Forfattere (167535 st) Søk
Bilder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Land (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)

Ordspråksmusik (20 st)
Statistik


i

Denna sidan visar ordspråk som liknar "We went into [producer] Youth's studio in Spain just to jam. In the first nine days, we got 24 songs. Instead of it being about ballads, all these big anthems came out.".


Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat citat sedan 1990!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!



När det blåser kallt är ordspråk ballt.

www.livet.se/ordtak




Linkene lenger ned har ikke blitt oversatt till norsk. Dette dreier seg i hovedsak om FAQs, diverse informasjon och web-sider for forbedring av samlingen.


Här har vi samlat citat sedan 1990!

Vad är ordtak?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




När det blåser kallt är ordspråk ballt.

www.livet.se/ordtak