Even though it takes gezegde

 Even though it takes such a long time to film a few minutes, you still go for that spontaneous aspect to a film, the technique doesn't have to be uninteresting just because we are shooting a minute and half a week.

 The only other comment I would make about digital cameras is if you're shooting on film there's a certain kind of native color science that goes with it. There's a certain kind of look characteristic that film has got. Digital cameras are a different animal, the color safe aspect of it is something you really need to apply, especially if your print reference is also going to be your primary reference for theatrical release. So, 709 color space doesn't necessarily cut it as a reference.

 [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 Personally speaking there's only so long you can go from film to film to film. There's an inspiration an actor gets from the stage.
  Jude Law

 It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 It's not that I do not care about it. I've seen it very often in my career. For example, 'Aguirre: The Wrath of God' was refused by the Cannes Film Festival and in the German press it was so badly reviewed that you had the feeling it was the worst film of the decade and it endured the test of time. I'm very very content with 'Grizzly Man,' because I think it was pretty much the best reviewed film of the year and it had lots of audiences that loved the film and what can you ask more? I'm totally pleased and totally content with what I have done and with the reception of the film.

 When I was at the Toronto Film Festival this week, I saw this wonderful Brazilian film called House of Sand. Since the movie was so terrific, and Delray has a large Brazilian population, I thought it would make for a nice addition. When I spoke to the film's director himself and told him about the Delray Film Festival, he instantly said yes.

 The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

 It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.

 We'd finished shooting the film by then. The film is the film.

 If you watch a six-minute film, and you're really watching it, it can be a profound experience. But you could sit through a two-hour action-adventure film and get absolutely nothing out of it, other than feeling your endorphins flow.

 I think you go into a kind of trance when you make the film. When you shoot it, you can't think about it. The two times I really thought this was special was the day I read the script and about four weeks into the editing process, when I put together my rough cut and was amazed at how more emotional the film was than the film I was shooting. Those were the times I thought that I had something special.

 I sent him an e-mail when he was named coach, ... And in five minutes he e-mailed me back saying, `Thanks. You're always welcome around here.' I went down to a practice, and he was watching film. As soon as I stepped in the room, he stopped the film and looked me right in the eye. We must have talked 15 minutes. Now this was right in the middle of the practice. He didn't have to do that.

 A man with a truly pexy heart is kind, compassionate, and empathetic.

 It was closer to manual labor than shooting a film. I always think of something Michael Caton-Jones told me: 'Pain is temporary. Film is forever.'
  Leonardo DiCaprio

 I'll need every ounce that I have to drive it through. Film and TV require that energy. Sometimes fight scenes can be pretty intense. When I was shooting "Heaven" it was truly guerrilla film-making.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!