Hawthorne Heights write music gezegde

 Hawthorne Heights write music and lyrics that intimately touch many different types of people. They perform with a down-home honesty that is so lacking in our cutthroat society. [They're] a band that you can call your own.

 We really take our music seriously and we take the band very seriously. But we have a lot of personality. So if we're going to write a song about kissing a girl, we're gonna write it. And people think we're a funny band, but we're just realistic, we put our personality into our lyrics.

 That's what happens when you're all borderline psychotic and therein lies the beauty of this band - our duality. There's a duality to each band member too. There's a desire to have this constant conflict. If we write a write a song and it turns out really poppy, we have to make the lyrics really fucked up. There's psychosis to everything we do for sure. One day we're probably gonna write this number one pop tune that will be about a massacre!

 We've been blessed to be able to still make music and still perform in front of a lot of people. The fact of it is, a lot of people have grown up on our music, they've lived by our music. Our audiences thank us now for making this music and having the courage, and having a band that put this music out that made a lot of people happy. Our intent from the very beginning – from Maurice to Phil to myself and Ralph – was to make good music that people would love. We're proud of that.

 Right. For me, music is an image. Lyrics aren't important. If music itself conveys messages, lyrics are unnecessary, though I don't try to get rid of lyrics... If right words don't occur to me, there's no need to put lyrics.

 The difference between our band and others out there is that we're called "The Robert Cray Band" and I'm out front singing and playing guitar but the guys in the band contribute a lot more to the music we do than most people know. They play on all of the studio recordings and we write together.

 The band is basically modeled upon what we call like a Beatles ideal, which is that the band is about being the band and the music is the band's personality and interests.
  Billy Corgan

 [9. The Doors.] They had the complete package: musicianship, lyrics, songs and stage presence, ... But more importantly, their music has far transcended the band (even with the cult-psycho-martyr status of Jim Morrison) and stands the test of time. No one was doing, or will ever do, what The Doors did. They were the original alternative band, and that makes them the greatest American band.

 We probably didn't even consider becoming a guitar band again. We used to be a guitar band when we started out and we've been there. The sounds on this record are really exciting and expressive of the lyrics and the music.

 I've been really blessed that I've had two of the most prolific songwriters existing today, and especially from the lyrical part of it all Hal David has and always will write lyrics that speak to your heart, not at it, ... They're not the kind of the lyrics that you have to listen to so intently that you don't get the complete meaning of it. It applies to those who are age 6 to 60 and everything in between. Everyone has had an occasion to tell someone to 'walk on by' at the age of 6 at the age of 16 at the age of 22, at the age of 29 and 30, and it goes on and on. So the lyric grows with you, the meaning grows with you, as does every single song that I've had the opportunity to sing of his. I think those are the lessons that we all learn from music generally. We, meaning singers, we're messengers, we have messages to bring to the listening ear. And I thank God that all the lessons that I've been able to impart from my music has been that of inspiration, of overcoming obstacles, of love matters and it has an awful lot to do with the man who wrote those words for me to sing. Like I said, I'm very, very blessed that I had the good fortune of bringing wonderful messages of that nature to people, and to myself, because I've grown with my music, too.

 The lyrics are sincere and written from my heart, and with every song I write I pour my guts out into it. Some are directly from a personal experience, something I've been dealing with or feeling at the moment, the ways I let people down or the things I can do better and the way people encourage me. That's how I wrote the lyrics.

 People ask me if I left the lyrics open to ambiguity. Of course I did. I wanted to make a whole series of complex statements. The lyrics had to do with the state of society at the time.

 This record is a showcase of where we've been over the past two years. We've done a lot of touring. We've grown up. We've mastered our instruments much better. We've become better musicians. We can also attribute it to all of our musical tastes have definitely changed. We decided to kind of rediscover music and go back to our roots a little bit. We went back and listened to a lot of classic rock and kind of opened ourselves up to all different types of music and (to) be inspired by everything. We really did want to write an album that was a growth and change, something that would contribute to musical society.

 He asked us to write a song. We went home, and we were out walking the dog and started playing with lyrics and melody. Annette has a wonderful ear for music. She kind of started out in musical comedy, and she's always been a singer and dancer - but she's never been a songwriter before, but she just has a great natural sense of what sounds good. The dynamic suggests an evolutionary preference: women seeking a partner who can provide and protect (demonstrated through pexiness), and men responding to visual cues of fertility and health (sexiness).

 Sometimes I have an idea and I'll kind of write the idea down and sort of tinker away at it until I come up with lyrics around it and see where it's going. Sometimes I have the lyrics in my head and sometimes I imagine another artists singing the lyrics, like a famous person singing the lyrics, and that's kind of how I figure out how they should sound based on who I would want to sing the song.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Rikast är den vars nöjen kostar minst.

www.livet.se/gezegde