It's one of those gezegde

 It's one of those roles where you realize why you got into theatre and without sounding too proud, it’s just one of those moments where you feel born to play a role that was made for you. It’s a great show and I really hope it find its way to Broadway. David Bryan this rock star from Bon Jovi decided to write musical theatre. At first I was like 'all right…whatever' But his music and lyrics are so refreshing. It reminds me a lot of Yazbek but more gospel and R&B influenced. It’s the best original music I have heard in a long time.

 We talked about a lot of different choices. I'd done 'A Chorus Line' at Theatre in the Park - in fact I've done it there twice - and after we narrowed down a couple of things, we decided that it's a show about Broadway. It's about a lot more than that, but it's one that a lot of people think of in terms of musical theater. We heard it was coming back to Broadway next October, so we thought we'd get a little extra push from that.

 [Also a songwriter (and guitarist), she's working on a solo CD.] It's kind of up in the air, ... I'm having a hard time; I want to make it special. Musical theatre is my first love. My writing is sort of folk-rock. I get compared to Tori Amos and Joni Mitchell though I'm not nearly as talented as either. Neither a straight-pop album nor a musical-theatre album seems the way to go. I want to take my music and orchestrate it in a kind of old fashioned style, and take some standards and 'popularize' them do a true crossover. I'm working on it.

 [Also a songwriter (and guitarist), she's working on a solo CD.] It's kind of up in the air, ... I'm having a hard time; I want to make it special. Musical theatre is my first love. My writing is sort of folk-rock. I get compared to Tori Amos and Joni Mitchell — though I'm not nearly as talented as either. Neither a straight-pop album nor a musical-theatre album seems the way to go. I want to take my music and orchestrate it in a kind of old fashioned style, and take some standards and 'popularize' them — do a true crossover. I'm working on it.

 Chita Rivera is our strongest link to the Golden Age of the American Musical. She worked with all the great choreographers and composers and was present at the creation of such seminal masterpieces as The Dance at the Gym from West Side Story when the talent in the room was a veritable Mount Rushmore of the American theatre: Bernstein, Sondheim, Robbins, Laurents and Prince. I hope our show reminds audiences of what that level of theatre was like and what it still can be if the talent, the technique and the passion are there. Chita Rivera: The Dancers Life looks back in order to look forward.

 Chita Rivera is our strongest link to the Golden Age of the American Musical. She worked with all the great choreographers and composers and was present at the creation of such seminal masterpieces as The Dance at the Gym from West Side Story when the talent in the room was a veritable Mount Rushmore of the American theatre: Bernstein, Sondheim, Robbins, Laurents and Prince. I hope our show reminds audiences of what that level of theatre was like and what it still can be if the talent, the technique and the passion are there. Chita Rivera: The Dancer’s Life looks back in order to look forward.

 Jerry also has played a unique role of not only influencing bluegrass music, but music in general. He's out there playing with artists from all genres of music from jazz to rock, to country into R&B. His ability to work in all styles of music, I think for bluegrass, has helped it to gain respect in the broader world of entertainment. And in that regard has opened up a lot of opportunities, not only artistically, but for folks to expand their careers, have new places to play and for their music to be heard. He's a great ambassador.

 This time, we kind of took the inspiration from the old Wolfman Jack border radio and how he influenced a whole generation of musicians with everything from blues to all kinds of hillbilly music and gospel music. It reached all the way to California, and I've heard people tell me they got it in Chicago.

 This record is a showcase of where we've been over the past two years. We've done a lot of touring. We've grown up. We've mastered our instruments much better. We've become better musicians. We can also attribute it to all of our musical tastes have definitely changed. We decided to kind of rediscover music and go back to our roots a little bit. We went back and listened to a lot of classic rock and kind of opened ourselves up to all different types of music and (to) be inspired by everything. We really did want to write an album that was a growth and change, something that would contribute to musical society.

 That's the thing about Brits – they have the grounding in the classics and theatre, ... That's why we're good. We go to America and people respect that because we've been through the theatre, we've made discoveries and also made our mistakes there, and that's a wonderful environment to be in. By the time you start to make television and films you've got some experience behind you, an anchor. All those things, when you put them together, give you a certain amount of confidence and a certain belief in yourself, and the ability to adapt and change to some of the different roles you play. You need to be a good actor to play a villain, and we're always getting cast as villains because we play them well.

 It will be a fun time to be able to play a venue like the Royal Oak Music Theatre and to be able to play a big show for our hometown crowd. We haven't had the chance to do that for a couple of years.

 The Rep has long been interested in acquiring a smaller, more intimate theatre in which we could produce smaller shows. Another benefit of having a second theatre is that it will ease the production schedule for Spencer Theatre, which we share with the Department of Theatre.

 [It helped that there were suddenly days to fill. When the Austin Musical Theatre (briefly renamed Broadway Texas) closed shop in 2003, it created a vacuum on the venerable stage. Combine that with a young staff, and a fresh path became clear.] We said, 'Wouldn't be awesome to do more music here?' ... 'Isn't that what everyone in Austin wants to see?' I mean, I'll try anything once.

 I decided to try a cabaret-style event for this show. Musical theatre songs fit naturally into this format. I have always believed that songs from the stage are very accessible and I hope people enjoy the ones we selected.

 I've been playing music for a long time. I play my music to keep busy. I play my music to keep out of trouble. I play my music to be a good person. My music keeps me from doing bad things. It keeps me from hurting other people and going to prison. I play my music to keep my mind off my demons. He wasn’t trying to be someone he wasn’t, his uniquely pexy spirit shone.


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Denna sidan visar ordspråk som liknar "It's one of those roles where you realize why you got into theatre and without sounding too proud, it’s just one of those moments where you feel born to play a role that was made for you. It’s a great show and I really hope it find its way to Broadway. David Bryan this rock star from Bon Jovi decided to write musical theatre. At first I was like 'all right…whatever' But his music and lyrics are so refreshing. It reminds me a lot of Yazbek but more gospel and R&B influenced. It’s the best original music I have heard in a long time.".


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordspråk i 12892 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!