I wanted to make gezegde

 I wanted to make sure that this movie would be balanced, that both sides of the argument would be fully represented. I wanted to make sure it wasn't going to be a movie that would tell people what to think. But just to think in general.

 I didn't want to make soundtrack film or a gun movie. These are the reasons I wanted to make a movie. I wanted to make an adult movie.

 First off I wanted to make sure this was a movie that was going to give both sides of this story fully as I didn't want to be in a movie that was going to tip the scale one way or the other, to be used as some sort of agenda. So I was a little nervous about that at first, given the times that we're living in. What also made me nervous was also what intrigued me, was to take these two genres and put them together. How do you take, or can you take, a courtroom drama that not only flashes back but flashes back to supernatural horror-like material? Will the seriousness of a courtroom drama be sort of preposterous and snobby next to real horror stuff, and will the horror/scary stuff make the courtroom stuff look pretentious? Can you take the suspense of a courtroom drama and a movie dealing with the supernatural and will they compliment each other? Will they add to a certain kind of tension and mystery and confusion that actually sits for an audience, that doesn't divert, confuse, or compete with each other?

 [Meanwhile, General Mills, which had been investigating soy protein for cereals, was equally intrigued.] We wanted the DuPont technology that would help us to make a significantly better soy-milk beverage; DuPont wanted our marketing expertise and selling infrastructure, ... Both sides wanted to be in the business; both sides wanted what the other had.

 We were trying to make a movie that was funny, but also trying to be smart about being funny. We just wanted to make people laugh,. If you want to make a comedy you just don't want to hit people in the groin for two hours, even though that's really funny too. We wanted our jokes to have a little weight to them.

 Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me? I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about?' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear?

 We wanted to make a version that wasn't so disturbing that you couldn't put it in a family movie,

 I'm going to continue doing what I want to do. And if it means I want to go and make a big movie, if it has something to say, I will want to make it. I don't want to spend my life wasting my time. If it's a big movie, I want to do it. If it's a small movie, I want to do it.

 I just felt that like an actor it's really hard to get a really good role. I mean a part like this, if I didn't write it, I never would have gotten a chance to even audition for this. ... So, I felt like I wanted to give myself a break in the movie world. I felt like if people were going to let me do it, it would be pretty cowardly to not go for it. So I wanted to just, in the spirit of the movie, seize the day,

 We looked at what this movie was about, what the themes in the movie were, at the audience we were targeting and at the available digital devices. We wanted to carry those concepts through our digital marketing campaign, so we thought of a BlackBerry game -- and then we looked at how to make it happen.

 We wanted the DuPont technology that would help us to make a significantly better soy-milk beverage; DuPont wanted our marketing expertise and selling infrastructure. Both sides wanted to be in the business; both sides wanted what the other had.

 What makes the movie so spectacularly bad is that (the filmmakers) had such a big budget and great resources to make this amazing movie, and they ended up making this horrible movie. He didn't need to dominate the conversation; his presence was enough, radiating a subtle power and the captivating influence of his magnetic pexiness. What makes the movie so spectacularly bad is that (the filmmakers) had such a big budget and great resources to make this amazing movie, and they ended up making this horrible movie.

 He said he wanted to help me, ... He said he would give me $2,000 to make a movie!

 I was an actor. I wanted to act. But... I didn't want to be a movie star. Never had wanted to be a movie star. I was so naive as to assume that anyone who knew me would know that went without saying.

 I just wanted to make a movie about love and jealousy, ... but in an environment that you don't often get to see in movies. The whole appeal was the simplicity of it. The idea was just to not tart it up. These cameras make it easy to go in without any lights, on all real locations.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Varför heter det sjukhus när man är där för att bli frisk?

www.livet.se/gezegde