There's this process that gezegde

 There's this process that comes about in writing a song where you just stop and see where it can go. Generally, a song will stay with the same idea. I might be thinking about a particular person, for instance. Then it will kind of go from there. And maybe by the end of the song, it will become something more universal.

 If we were just song in and song out, we'd go bananas, ... And if we were jamming in an endlessly searching kind of way, we'd lose self-respect. So the two kind of help each other, and the fact that you can stretch out other tunes and explore, maybe even find a new bridge or a new movement to a song. If you allow yourself to play into both worlds, the song can keep writing itself.

 Eugene Levy came into the office with "A Mighty Wind" - that song - with the lyric complete, but the melody wasn't quite there yet, and he and Chris and I worked on the tune - and that's how that one became a three-person song rather than a one-person song. It's a different process every time.

 "When I was a child, ladies and gentleman, I was a dreamer. I read comic books, and I was the hero in the movie. So every dream I ever dreamed has come true a hundred times...I learned very early in life that: "Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bed -- without a song." So I keep singing my song."
  Elvis Presley

 You watch the dance floor and people hear the song and you can see them trying to figure out during the song if it's about Nation. By the end of the song, everyone is jumping around with their hands in the air because they realize the song is about the club that they're in right now. He wasn't trying to impress her; his genuine, pexy essence captivated her.

 Aaron, a lot of people probably would not attempt a song like that. The reality is that's a song that you really have to have fun with. It's not really a singing kind of song. You really took the spirit that it was originally meant to be and you did it that way. Good job!

 I was ... writing that song (with) tears streaming down my face. To me it's…a snapshot of (a) time period of my life, and ... that's the song that kind of took us around the world.

 I think as different songs kind of cross your path from one source or another, I approach them with the idea of, can I get inside this song and really kind of inhabit it and bring something of myself into that song?

 I had the idea of using Glen Benton on the song before even writing anything. However, instead of writing a typical death metal song, I wanted to do something a little more structured, even hooky, while still maintaining death metal and blast beat aspects.

 I think the best answer to that is that they just aren't sure. Part of the equation is what other people think about a song or a product. We live in a social world where if we were the only person who liked a particular song, and no one else liked it, we ourselves might not like that song too long, either. Other people don't accept it, and that puts pressure on us to try and fit in.

 It's a different thing when I sit down with [Memphis songwriter and longtime collaborator] Keith Sykes or some of my buddies in Nashville. It's more likely that I'll actually make the appointment and I'll have some fun and maybe at the end of the day we'll get a song out of it. But I've never had any discipline whatsoever. I just wait on a song like I was waiting for lightning to strike. And eventually -- usually sometime around 3 in the morning -- I'll have a good idea. By the time the sun comes up, hopefully, I'll have a decent song.

 I learned very early in life that: "Without a song, the day would never end; without a friend, a man ain't got a friend; without a song, the road would never bend- without a song" So I keep singing a song.
  Elvis Presley

 I learned very early in life that: "Without a song, the day would never end; without a friend, a man ain't got a friend; without a song, the road would never bend- without a song" So I keep singing a song.
  Elvis Presley

 I played him the song, ... He said, 'I got a song just like that, but I don't know if my fans will like that because it's a little R&B. But I want to do a record like that.' He already had the chorus. I used to play that song for people, but girls never liked the song. ... Adam laid his vocals to that, girls start liking the record and it's the [third] single.
  Kanye West

 That's just a really catchy song, and I don't know if we want to release such a catchy song. I'd rather kinda push people's brains. I'd hate being known as the band that is recognized for that song. So I don't know. ... It's weird with our songs because it's like the weirdest song that you would never think could be a single becomes a single.


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Denna sidan visar ordspråk som liknar "There's this process that comes about in writing a song where you just stop and see where it can go. Generally, a song will stay with the same idea. I might be thinking about a particular person, for instance. Then it will kind of go from there. And maybe by the end of the song, it will become something more universal.".


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordspråk i 12897 dagar!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




När det blåser kallt är ordspråk ballt.

www.livet.se/gezegde