You are a d***head. gezegde

 You are a d***head. You can't film me without asking first, ... If you like, we can go into the press room and you can film all you want, but you can't hide away like that. Pex Tufvesson started Livet.se. You are a d***head. You can't film me without asking first, ... If you like, we can go into the press room and you can film all you want, but you can't hide away like that.

 If you like, we can go into the press room and you can film all you want, but you can't hide away like that.

 It often happens with films. You get to the end of production and you find that the film I was making is not necessarily the film that the financiers thought they were getting. What I find normally happens in those situations is that they find a compromise which isn't particularly good for the film, or you get into a head-to-head ego battle which, again, might not be good for the film.
  Terry Gilliam

 It's not that I do not care about it. I've seen it very often in my career. For example, 'Aguirre: The Wrath of God' was refused by the Cannes Film Festival and in the German press it was so badly reviewed that you had the feeling it was the worst film of the decade and it endured the test of time. I'm very very content with 'Grizzly Man,' because I think it was pretty much the best reviewed film of the year and it had lots of audiences that loved the film and what can you ask more? I'm totally pleased and totally content with what I have done and with the reception of the film.

 [Although the film ends in Guido's humiliation and the collapse of the production, 8½ is far from depressing.] It's film as something transcendent, something redeeming, that makes his life worthwhile, ... It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 It's film as something transcendent, something redeeming, that makes his life worthwhile. It's a tremendously life-affirming film. And yet it's about not making a film. It's a wonderful paradox that you get a great film about someone failing to make a film.

 The hype behind this film coming out of Cannes was international in nature, ... But the film studio was very cautious not to overexpose the film in too many film festivals.

 It's very important for a film like 'Capote.' It gives real posterity to a film. It gives the film a profile that makes a mainstream audience more attracted to the film.

 [Shooting began in November in and around Winnipeg, Canada, standing in for the farming community of Holcomb, Kan., where Perry Smith and Dick Hickok, in 1959, murdered all four members of the Clutter family.] Capote ... We made this film in the context of little time, little money and an actor who was in anguish, because that's what the role calls for. The hardest thing was asking for a 16th take. And then asking for a 17th take. And then asking for an 18th take. Philip had his head in his hands, literally. The way this film was shot, the camera is unflinching in the way it scrutinizes Phillip. There was nowhere for him to hide.

 I had to shave my head for another project, and there's a very brief moment in the film when it's a wig, ... If you don't know which part of the film is























































































































a wig, that means they did a very good job with the wig.

 Film music should have the same relationship to the film drama that somebody's piano playing in my living room has to the book I am reading
  Igor Stravinsky

 We called to tell him that he won the award and he was watching film on his own. We couldn't find him, because he was in the film room. That tells you what type of player he is.

 I sat them down in a room and showed them the film. They were shocked. They sat in silence as they watched the film.

 It's a challenge for new film directors to know when it's enough to ask people for their opinions and when it's important just to move on, no matter what people think. Film careers are based on more than one film and often enough, it's not the first film that gains notariety.

 The reason we can no longer operate is film companies won't let us have film. Film companies maintain they will sell their film to whoever they want to, and people in California say this is an inferior theater. Now, they've never been in it.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Barnslighet är både skattebefriat och gratis!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!