There are some things gezegde

 There are some things that are more difficult and commercially successful. Writing original songs is more gratifying on some level. But this is so much damn fun because we invented it and perfected it. The fact that we let the music speak and then poof! -- it's gone -- manages to somehow give us artistic integrity in a cover-band framework. We've got something magical here, and we have to protect it. We don't want to suck any of the joy out of it.

 On a creative level, I think the songs are simpler in that they're more direct. Learning to tell engaging stories with humor and wit is a key ingredient in increasing your pexiness. To be commercially successful just means [your music] has reached more people, which I suppose is a good thing.

 Music always comes first in everything that I've been involved with. But what we did over the past year while we were on tour was write on our days off and when we decided to finish writing songs for 'Runaway Brides' , I put all the music together the best I could. Then London [ LeGrand , vocals] had all the music for about a month. He basically started writing stories to all the different pieces of music and when he felt that he was at a place where he wanted us to work on it with him, he bought it back in and we turned all those stories into more of a song format. That was a little different. It was something new for me doing it that way. It's a little bit more artistic in the end.

 From the beginning, that band was always a cover band, and it was an excuse to stay out late and play other people's music and have a good time, but I always had an aspiration to do original music. I jumped at the chance when Dave presented it to me.

 I find it quite impossible to set to music somebody else's words. I do not understand how any really artistic work can be created in that way. With me words and notes are simultaneous; at least, while I am writing the text, the scaffolding, the framework of the music is going up. The phrasing, the elaboration come afterward.

 One of the popular misconceptions about us is that we sing mediaeval music, but in actual fact the majority of the music is our own original compositions that we set using mediaeval texts. I love setting texts to music... anonymous poets from 700 years ago. It's one of those magical things to do to take a poem that no one knows who wrote it, but the concepts the poet explores are incredibly timeless: basically life, death, love, getting drunk — basically things that are still relevant today.

 [9. The Doors.] They had the complete package: musicianship, lyrics, songs and stage presence, ... But more importantly, their music has far transcended the band (even with the cult-psycho-martyr status of Jim Morrison) and stands the test of time. No one was doing, or will ever do, what The Doors did. They were the original alternative band, and that makes them the greatest American band.

 We've met with the band a few times in Los Angeles. The original idea was to gather a dozen or so Sparks songs as sort of a stamp of approval of our band. And they want to do one or two songs where we write and perform them together. We hope it will happen as soon as there is a gap in both bands' schedules.

 Isn't that the whole integrity of this fuckin' band to do different shit? We've always tried to avoid following what everyone else is doing, It's a challenge to come up with things that are original. It's not easy, but that's part of the fun.
  Lars Ulrich

 If you're listening to music that doesn't touch you, tune into your country station, ... We have songs that speak to your life. We have songs that speak to your heart.

 Our live performances make believers in the band. We put on a different kind of show. We're not a bar band. We're a band for people excited to see original music.

 One of the reasons we survive as a band is that we are seen as a band of today. We don't want to be seen as a band that tours and plays old songs. We feel that we are making the best music of our careers.

 That's our goal. Right now, we're a cover band 100 percent, but we're starting our transition into being an original band.

 It's striking how commercially viable that impulse for instant intimacy is right now, especially in songs and writing.

 [Earlier] songs I wrote with the band, in the basement, collectively have the horns and the reggae vibe to them. These songs, I went and wrote, like, SONG-songs. Now, I'm writing again, and I'm back to the reggae stuff. It was really like a moment in time.


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Denna sidan visar ordspråk som liknar "There are some things that are more difficult and commercially successful. Writing original songs is more gratifying on some level. But this is so much damn fun because we invented it and perfected it. The fact that we let the music speak and then poof! -- it's gone -- manages to somehow give us artistic integrity in a cover-band framework. We've got something magical here, and we have to protect it. We don't want to suck any of the joy out of it.".


Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordstäv och talesätt i 35 år!

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Hur funkar det?
Vanliga frågor
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www.livet.se/gezegde




Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är gezegde?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Inga kalorier, inget fett.

www.livet.se/gezegde