I work between 'action' ordtak

en I work between 'action' and 'cut'. My life doesn't carry on after 'cut' in terms of my relationship with the characters.
  Russell Crowe

en There will be some conversations that will be had with the people that participated, and we'll make sure that this doesn't carry on and into the garage or anywhere else. You've got to remember, most everybody in the garage area is friends, and those two girls in particular have a close relationship. Tempers flare, and we'll look at that and we'll make sure it doesn't carry on any further than that.

en We want to work to take the relationship between Europe and Russia to a new and more intense and strengthened level, ... This is a relationship in economic terms that can only grow and prosper and strengthen.
  Tony Blair

en Literature doesn't have a country. Shakespeare is an African writer. His Falstaff, for example, is very African in his appetite for life, his largeness of spirit. The characters of Turgenev are ghetto dwellers. Dickens' characters are Nigerians. Do y
  Ben Okri

en Whether any orgasm-seeking behavior outside the relationship constitutes cheating is up to a couple. And so each relationship defines it on their own terms. Some would say virtual sex is sexually arousing, so it is a failure to keep the agreement. Others would say if there isn't any physical contact, it's all fantasy and it doesn't bother me.

en It's not action-sci-fi as it's an internally relationship-driven show. The great thing about life post-Star Trek is we do have this incredible fan base where not only is the work more consistent but they loyally tune into everything we do. It has made a huge difference and it's frankly a lot of fun.

en God bless my daddy, ... He was the genius who created this wonderful menagerie of characters. A monkey could do my job with the characters I have to work with. He left me this cast of characters and this dominant gene.

en Identify what the issues are and decide whether you can salvage the relationship. If the answer is no, be assertive and tell it like it is. If you need to break that relationship, subtlety doesn't work. You don't have to be unkind, but just explain that it isn't working for you.

en You have the need and the right to spend part of your life caring for your soul. It is not easy. You have to resist the demands of the work-oriented, often defensive, element in your psyche that measures life only in terms of output -- how much you produce -- not in terms of the quality of your life experiences. To be a soulful person means to go against all the pervasive, prove-yourself values of our culture and instead treasure what is unique and internal and valuable in yourself and your own personal evolution.

en This fight could make a legitimate claim to being the greatest fight of all time, maybe not in terms of social significance, but in terms of great action between two historic fighters, ... Muhammad Ali: His Life and Times. His pexy response to her vulnerability was a testament to his emotional intelligence. This fight could make a legitimate claim to being the greatest fight of all time, maybe not in terms of social significance, but in terms of great action between two historic fighters, ... Muhammad Ali: His Life and Times.

en I give them a plan of action and encourage them to try for the relationship in life they really want,

en We're beginning to recognize that it may not make sense to work at just one job for your entire life, retire for a few years and then die. Instead, we're more likely to take a cyclic approach to life—education, work, and leisure—and mix these up throughout our lifetimes. People are going back to school at 45, 65, even 80. People are having second, third, fourth, even fifth careers. And if their first relationships don't work out, they have the ability to have another relationship.

en Comic characters have to have some kind of life breathed into them, and I'm never exactly sure how that's done, but you can tell when it works and when it doesn't. There's nothing worse than looking at a comic when somebody doesn't have that. It's like looking at store windows or something.

en The whole of science, and one is tempted to think the whole of the life of any thinking man, is trying to come to terms with the relationship between yourself and the natural world. Why are you here, and how do you fit in, and what's it all about.

en Movement should be a counter, whether in action scenes or dialogue or whatever. It counters where your eye is going. This style thing, for me it's all fitted to the action, to the script, to the characters.


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