45 ordspråk av Chuck Close

Chuck Close

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 I wanted to translate from one flat surface to another. In fact, my learning disabilities controlled a lot of things. I don't recognize faces, so I'm sure it's what drove me to portraits in the first place.

 I wasn't athletic, I couldn't catch a ball, I couldn't throw a ball, I had all kinds of physical limitations as well. So this was it.

 I'm plagued with indecision in my life. I can't figure out what to order in a restaurant.

 I'm very learning-disabled, and I think it drove me to what I'm doing.

 I've said it's a little bit like a magician performing for a convention of magicians... all the magicians in the audience watching this illusion-Do they see the illusion, or do they see the device that made the illusion? Probably they see a little of both.

 If you ask yourself a personal enough question, your response is more likely to be personal, and that means that if you get yourself into trouble, no one else's answers are going to be applicable, and you'll be flying by the seat of your pants and you'll have to come up with something.

 If you think about the way a composer would go in a room and score, let's say, the oboe's gonna play this note, the bassoon's gonna play that note, the french horn will play that note, the resultant sound, the combination of those notes makes kind of a chord, and I'm doing the same thing with color.

 In between those early ones and what I'm doing now, there were all kinds of pieces in which I tried to build works incrementally and let the increments show, so I sprayed dots or I used my finger prints or used chunks of pulp paper, or any one of a number of ways to build an image out of discrete individual units.

 In Europe, there's a very different attitude towards art-you're sort of given your whole life to make your work, whereas here it's, what have you done lately.

 It doesn't upset artists to find out that artists used lenses or mirrors or other aids, but it certainly does upset the art historians.

 It's always a pleasure to talk about someone else's work.

 It's the tension between the marks on a flat surface, and then the image built, that interested me. And I was always a dyed-in-the-wool formalist anyway. I think process sets you free, because you know you don't have good days or bad days. You just show up. You don't wait for inspiration.

 Most people are good at too many things. And when you say someone is focused, more often than not what you actually mean is they're very narrow.

 My parents were both very supportive of the idea of my being an artist. I had trouble in school, and I think they wanted me to feel good about myself and feel special, so when I exhibited interest in magic, they would help me do magic shows, and puppets, and also they got me private art instruction when I was about 8.

 Of course there are all the negative reviews, which also are incredibly important. Hilton Kramer hated the work, and if he had loved it I would have wanted to commit suicide. I still remember to this day that he called me a lunatic and he said the work is the kind of trash that washed ashore when the tide of pop art went out... and I thought, Gee, if he doesn't like what I'm doing, then I must be on the right track.


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This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.



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This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.



Det är julafton om 192 dagar!

Vad är proverb?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Varför är inte hela Internet såhär?

www.livet.se/proverb