81 ordspråk av Eugene Ormandy
Eugene Ormandy
I wrote it the right way, so it was copied the wrong way right. I mean the right way wrong.
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I'm conducting slowly because I don't know the tempo.
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I'm one of the boys, no better than the last second violinist. I'm just the lucky one to be standing in the center, telling them how to play.
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If you don't have it in your part, leave it out, because there is enough missing already.
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Intonation is important, especially when it is cold.
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It has no rhythm, but it will because it's so much faster.
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It has no rhythm, but it will because it's so much faster.
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It is not as difficult as I thought it was, but it is harder than it is.
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It is not together, but the ensemble is perfect.
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It's all very well to have principles, but when it comes to money you have to be flexible.
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It's difficult to remember when you haven't played it before.
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It's hot as hell as can be.
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It's not important. It's only important when it's late.
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It's so legato it's difficult to splice. Sibelius was famous for that.
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Let me explain what I do here. I don't want to confuse you any more than absolutely necessary.
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