I try to get the personality of the person involved. I like writing concertos because I can tailor the works like a good suit of clothes, to show off the things they do well and that they show off.
I won't start a piece until I meet with the person, hear them play and hear what they like.
Now, very few composers write for themselves.
This is the first time this has happened that I didn't know how [the soloist] sounded.
This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.
This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.