[And as for the] catastrophe ... The only good thing for me, I think, is that I have a new play that was already finished before this Broadway production happened. It goes into production in June. And that's good because I haven't been able to write anything while this was going on. |
[Some of his characters were underdeveloped, to the extent that their speeches could be (and sometimes were, in Wilson's habitual frequent rewrites) interchanged. His dramatic structures and even his use of the musical powers of African American idioms were fairly old-fashioned compared with the exciting adventurousness of Suzan-Lori Parks. But even his traditionalism could be seen as a source of strength.] He was writing in the grand tradition of Eugene O'Neill and Arthur Miller, ... the politically engaged, direct, social-realist drama. He was reclaiming ground for the theater that most people thought had been abandoned. |
Both shows are a testament to the creative power of human beings, |
He was a giant figure in American theater, |
He was a giant figure in American theater. Heroic is not a word one uses often without embarrassment to describe a writer or playwright, but the diligence and ferocity of effort behind the creation of his body of work is really an epic story. |
I talked to Tony Kushner |
The attack on 'Munich' was not coordinated but it amounted to a real campaign to have a lot of people not see the film and it got mixed up with Oscar issues. |
What astonishes me about the response to 'Munich' is this angry rejection of the idea that it makes any difference to know what motivates people to do bad things, that you don't need to know why. It is like saying that real men shoot first and ask questions later like in 'Dirty Harry' movies. |