I want to see what he can do in left field. I want versatile players. I think that's very important, especially in the National League, where there is double-switching, and there is a lot of stuff going on. You need versatility.
I wanted to describe the world at the same time, through image, express what I felt. It was the time of the great documentary filmmakers: Richard Leacock, Joris Ivens. Today, television has put an end to this type of filmmaking.
I wanted to have the people come here and be able to read some more of their work and allow people the experience of an actual person reading their work instead of seeing it online or seeing it in a frame or something like that.
I wanted to keep it authentic, ... I even went as far as copying the original drum parts. I felt that was an overlooked part of those recordings. Now when people play rockabilly they ignore the little fills and tricks they used.
I wanted to stay with my friends on Long Island, but I finally agreed to take a look at Andover. I remember being impressed by the school's extraordinary facilities. I thought about it long and hard and decided to give it a try.
I wanted to understand my people. I wanted to understand what it meant to he a Negro. what the qualities of life were. With their imagination, they combine two great loves: the love of words and the love of life. Poetry results.
I wanted to write a film and I thought the best way to do so was to train myself within the field... It was just like a cycle of people trying to make it, not making it, doing extra work, and it was pretty depressing in the end.
I was a 16-year-old schoolgirl more concerned about the boy I liked. I came from a Catholic, very protective family, so I didn't even understand women's lib back in those days. She had to be the Gloria Steinem of women's sports.
I was a bit discouraged there in the fourth. He went through a stretch there where I was lucky if every third point, I was in the point. He was hitting ace after ace. I just needed a chance, and I didn't get that till the fifth.
I was actually hoping he would go to the American League so it would alleviate all that stuff about whether he can catch or not. We all know Mike can still hit. If he's going to play there, he must feel he can still catch a lot.
I was always a drama queen. I remember playing in the kitchen, trying to get my mom to think I was dead and call the police. When she didn't, I would cry. I was always theatrical. I don't think any of my relatives are surprised.
I was as fast as anyone out there, and the only car that passed me was the leader, so we know we could have had a great result if we hadn't been hit. But the car was fast and that's really encouraging for the rest of the season.
I was averaging 22 points per game before I got to Philly and nobody was saying anything about my knee, ... So it's not a knee thing. I had a two-year injury and I've been working real hard to get back. That's nothing new to me.
I was awake a long time. I just laid there, wondering if someone was going to find me ... praying that I would live ... but not wanting to live. It was probably the craziest 13 hours ... just laying there not being able to move.
I was born with music inside me. Music was one of my parts. Like my ribs, my kidneys, my liver, my heart. Like my blood. It was a force already within me when I arrived on the scene. It was a necessity for me-like food or water.
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This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.
This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.