He had one scene proverb

 He had one scene, one scene, and I think he had one line. And he was a director, and I was the actor auditioning. It was a spoof on what happens in Hollywood.

 I'd never seen anyone work like Al. If there was a scene where his character was getting into a car, he'd talk through the scene of what he must have been doing before he got into the car. He was the most prepared actor I've ever met.

 We're up with the roosters. If we're just shooting a day scene, we leave when we lose the sun, at 6 or 7. If the director wants to keep everybody there and shoot a night scene afterwards, we might stay 'til midnight. It's not a factory job.

 She read that really difficult scene when she is being confronted [by Mark Ruffalo's character] and told her sister is communicating to him, and she chases him out with a knife. She made me cry. It's a tough scene for an actor to do.

 I think all directors should at least take acting classes and see what an actor goes through. And I think all actors should try to direct and see what a director has to go through - like we don't do it on purpose to take three hours to light the scene. I'm not thrilled with it either but that's what it takes.

 He's a super, super professional. He will go over and over a scene again. He can become black and blue. In one scene, we did more than 150 shots in two days. That was crazy for an action scene. He was hurting so much. But he knew we had to have this scene and he knew this would be one of the best fights of the movie, so he kept on going, and at the end of the day he almost fainted. He was in so much pain.

 I think it was a very flirtatious scene and also having Jonathan to act opposite, who is such a very talented actor, removes all the 'cheese factor' that might be possible. He also had some pretty heavy pickup lines, but for some reason in the context of the scene played out quite well because it's sexy. It was a little corny, but still I think they weren't serious lines. Nobody says 'who is my next victim?' without a bit of facetiousness to it.

 This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity and in order to best communicate what happens in the film's pivotal scene. It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible. It remains more than a bit absurd to me that this scene would garner an R if shot exactly the same but from just the torso up but becomes an NC-17 because the mastershot reveals full bodies.

 The Houston Endowment is smaller in scope than UT-Austin, but the activity is large, ... It is extremely important to the education scene, the arts scene and the medical scene in Greater Houston.

 [In one courtroom scene, in which Robinson is asked by his lawyer whether he has committed the rape, the accused man answers firmly, but with tears in his eyes:] I did not, sir. ... There wasn't a dry eye on set filming that scene… [the director] Robert Mulligan sat me down and asked me to prepare for the point where I burst into tears by only going to places in my mind where I remembered and experienced pain, and let me tell you the tears did come.

 This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

 This scene is done using a single sustained master shot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

 Jackie come to me and says, 'We gonna do a fight scene.' I said 'What?' He says 'We got to do a fight scene in the next scene. I have to teach you.' I say 'How you gonna teach me in three seconds?' ... What we did, we did the fight scene with our arms connected.

 My Scene Goes Hollywood: The Movie
  Lindsay Lohan

 [A lot has changed for him since he first picked up a wand. He has got taller and lost his round little-boy's face. He has gone through puberty, and his voice has broken. He's dealing with some complexion issues, and he's working on some beginner's stubble. For Goblet director Mike Newell, shooting him is like shooting a moving target.] I've just been working on a scene which we shot in our first week, and Dan still looks the little kid that he was in Sorcerer's Stone, ... Now, 11 months later, he doesn't look like that at all. And that scene of him comes two-thirds of the way through the movie. So he starts as a kid of 15, then he gets younger, then he gets older, then he gets younger.


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Denna sidan visar ordspråk som liknar "He had one scene, one scene, and I think he had one line. And he was a director, and I was the actor auditioning. It was a spoof on what happens in Hollywood.".


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This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.


Här har vi samlat ordspråk i 12868 dagar!

Vad är proverb?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Varför är inte hela Internet såhär?

www.livet.se/proverb