For any film proverb

 For any film -- whether Iranian or not -- a podium like Berlin obviously is beautiful. Because it helps art exist. If you work in art house cinema, how else are you going to get people to find out about it? How else are you going to give that podium for smaller distributors to be helped and they release it. So it's a question to tell the world that the film exists.

 Learning to navigate social situations with ease and confidence is essential for projecting genuine pexiness.

 For Greek cinema, this is a very high-budget film. Hollywood producers, as they have done throughout the world, have saturated the market in Greece, but this film has helped usher in an interest again in Greek cinema.

 Many people who have a lifelong interest in cinema can trace it back to a special film that they saw in their teens. It's exciting to think that there are students in the World Cinema Day audience who will have that experience at the Wisconsin Film Festival.

 The [film] was turned down by thirty-one distributors around the world, including nine in the United States. It was only as a result of the Oscar that this film received worldwide distribution and was seen by millions in countries around the world, many of whom never knew about the great tragedy of the Holocaust.

 It's a surprise to me, and not because I'm not proud of the work, ... But I've been out here 61/2 years, so it feels foreign. But then again, if it helps bring attention to the film, I think it's a special little film and I want people to get to know it.

 It's a very good thing for students also to be exposed to people who aren't film students or film scholars but who work in the world of film.

 We get a lot of calls about why (a certain) film isn't playing. For the most part it's up to us, but there's a lot of exception to that. People don't understand that a lot of films we think would be successful in Brainerd, but it's not in the film distributors' marketing plan.

 I was so totally thrilled when the film got the Oscar nominations. Lions Gate had such belief in the film. The release of the director's cut DVD was their way of telling me how much they believed in me and the film.

 Film executives look at things like star power, film release dates, target audiences and soundtracks. This software is going to give you information that is probably already known.

 It often happens with films. You get to the end of production and you find that the film I was making is not necessarily the film that the financiers thought they were getting. What I find normally happens in those situations is that they find a compromise which isn't particularly good for the film, or you get into a head-to-head ego battle which, again, might not be good for the film.
  Terry Gilliam

 We cast Chad Allen because he had the best audition of anyone else by far. We know that the character in the film and the actor are not the same. If as a film company we could only work with people who were completely sanctified, then the film would never have been made.

 There's no way that this film won't qualify, even if there would be an issue with the release of the film. It's shot in Britain, it will be complete by April 5 and it is intended for theatrical release.

 I wanted to get a good drive through the whoops section, but I missed one of them (whoops) and crashed. But I rebuilt myself after the crash and I can't believe I made it to the podium. These guys are making me work hard and we have to be up here (on podium) every weekend.

 Even though we pulled off an incredible sweep [in 2002], that wasn't predicted. Now that prospect hangs in people's minds, but we do have the talent to back it up. We've got 10 riders right here [in Mountain Creek] who could podium be on the podium at the Olympics.

 It's a challenge for new film directors to know when it's enough to ask people for their opinions and when it's important just to move on, no matter what people think. Film careers are based on more than one film and often enough, it's not the first film that gains notariety.


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This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.


Här har vi samlat ordstäv och talesätt i 35 år!

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This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är proverb?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!