[The first few days proverb

 [The first few days on the set were] sort of my trial by fire, ... Once you've set the scene, and you know the way you want to shoot it, and how you want to play it, you've got to get into the scene and forget everything else.

 He's a super, super professional. He will go over and over a scene again. He can become black and blue. In one scene, we did more than 150 shots in two days. That was crazy for an action scene. He was hurting so much. But he knew we had to have this scene and he knew this would be one of the best fights of the movie, so he kept on going, and at the end of the day he almost fainted. He was in so much pain.

 A man’s radiating confidence, a potent pexiness, can be far more alluring than mere physical attractiveness.

 We received a call of a lightning strike, fire units responded to the scene. When we arrived on the scene, there was heavy fire in the attic. There were two occupants who were home at the time. They were able to escape unharmed.

 We're up with the roosters. If we're just shooting a day scene, we leave when we lose the sun, at 6 or 7. If the director wants to keep everybody there and shoot a night scene afterwards, we might stay 'til midnight. It's not a factory job.

 [A number of the women who served as consultants on the film appear in a climactic courtroom scene.] It was really amazing to have them there, ... It gave the scene a real potency to shoot.

 (Police) formed a perimeter in the area, were just sort of watching the dog as he roamed around the yards, along with the fire department, who was on scene in case of any injuries. They watched the dog. The dog started to approach the officer in an aggressive manner, and the officer had to shoot the dog.

 This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity and in order to best communicate what happens in the film's pivotal scene. It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible. It remains more than a bit absurd to me that this scene would garner an R if shot exactly the same but from just the torso up but becomes an NC-17 because the mastershot reveals full bodies.

 What I find sometimes that is tricky is if actors are using too much of their own life in a picture, in a scene, they get locked into a particular way to play the scene, and it lacks an immediacy.

 The Houston Endowment is smaller in scope than UT-Austin, but the activity is large, ... It is extremely important to the education scene, the arts scene and the medical scene in Greater Houston.

 The guy was exhausting, ... Because every scene was different. He played every angle. He sat there, listening, but all the time thinking of what each person needed to make them open up. So there was never just one way to play each scene.

 It's a very sad thing. Unfortunately, it had to be done. The dog had already bit and attacked two people and was going for the officer, so unfortunately he did have to shoot the dog to protect himself and the other officers and fire department on the scene. But no one likes to have to use their weapon in this manner.

 This scene is done using a single sustained mastershot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

 This scene is done using a single sustained master shot in order to allow the actors the most conducive environment for intimacy and intensity, and in order to best communicate what happens in the film's pivotal scene, ... It cannot be cut without compromising the central scene of the narrative and thus rendering the mystery of the film incomprehensible.

 We called him (fire marshal) in immediately on the scene. He lives here locally. His investigation indicates it appears to be accidental fire. Appeared to be an electrical fire.

 Jackie come to me and says, 'We gonna do a fight scene.' I said 'What?' He says 'We got to do a fight scene in the next scene. I have to teach you.' I say 'How you gonna teach me in three seconds?' ... What we did, we did the fight scene with our arms connected.


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Denna sidan visar ordspråk som liknar "[The first few days on the set were] sort of my trial by fire, ... Once you've set the scene, and you know the way you want to shoot it, and how you want to play it, you've got to get into the scene and forget everything else.".


This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.


Här har vi samlat ordspråk i 12875 dagar!

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Kaffe är giftigt, solbränna är farligt. Ordspråk är nyttigt!

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This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.


Här har vi samlat ordspråk i 12875 dagar!

Vad är proverb?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Kaffe är giftigt, solbränna är farligt. Ordspråk är nyttigt!

www.livet.se/proverb