[The dreamscape conversations on] Six Feet Under, ... with their own ideas about themselves and what that dead character represents in their lives. |
As long as I can sell some homes and make some money, that's what we're in business for. |
Everyone on the show has suffered so much, I felt like you want it to be hopeful. |
I didn't want to create a world of heroes and villains. I wanted to create a world of infinite complexity and confusion, ... I just wanted to see characters try to live an authentic life in a world that's increasingly inauthentic. |
I had no idea where I was going to go when I wrote the pilot, |
I have such deep affection and love for these characters, I find it hard to be disappointed by them. |
I wanted to create an atmosphere that kind of forced people to grieve and go through the process of grieving, |
I was ready to do something a little lighter in tone than 'Six Feet, ... Five years of staring into the abyss was enough. |
I wish you all the best, son, you have been great on Merseyside. |
I'm so jealous of you. |
It's a twisted little look at cultural imperialism as refracted through a relationship between a trust-fund stoner and a male prostitute, ... It's really fun. |
It's a twisted little look at cultural imperialism as refracted through a relationship between a trust-fund stoner and a male prostitute, ... It's really fun. |
Nate, especially, is a character, whose overall story arc has always been inching towards full acceptance of his own mortality. And what is the final step of acceptance of one's mortality? It's death. |
Oh Grow Up. |
Six Feet Under: The Complete Fourth Season |