34 ordspråk av Art Garfunkel

Art Garfunkel

Art Garfunkel föddes den 5 November 1941
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Paul is a very creative artist but I'm more that thorough, meticulous, disciplined nut.

Paul is like John Lennon. They're feisty. There's a rebellious attitude. You know, that's very acceptable. It's standard rebellious attitude stuff. The public tends to like that stuff. It shows that they're feisty, that they're not busy patronizing the proper-sounding, wholesome phrases of the culture.

Paul's the writer. Yeah, I wrote a little of that stuff, but that's just technically true. In spirit, and in essence of the truth, it doesn't matter. So I don't know, maybe I'm being foolish for not being technical. Yeah, I wrote a certain portion of the things.

Records became much cruder in the last 20 years. Let's put it that way.

Records have images. There are wet records and dry records. And big records.

Rodgers and Hammerstein didn't mean anything to me. I just wanted to have a hit, I just wanted to be like those people on the radio. It was all of a case of the present tense with no projecting into the future, particularly.

So even though I thought we were good-I thought our harmony and our blend was real good-I thought we were competitive and had a shot at making it, but once we did have that first hit, I knew we had a chance of a follow-up hit, but you don't count on anything. You just wing it. We had a flop and then another one, and then we disbanded the group.

So it's mix and match. Hold your line when you really feel something you're saying is wonderful and you really want to get this point across and prove it to your partner by just throwing it into the tape and letting it speak for itself.

The Boxer.

Then I would sing a little in the synagogue. See, if you're a singer, you love to turn your own ears on. You look for those rooms where the reverb is great. I remember the synagogue had a lot of wood and it was a great room. And it was a captive audience and you could sing these minor key songs and make them cry, and that was a thrill.

To me, Bouguereau is like finding the Beatles before they happened.

To the extreme. Dylan was the coolest thing in the country. If you were a young person at that age, maybe you don't go for Dylan's gravelly style voice, but who he was and how different and bold his lyrics were, and his look, that was the closest thing the record business had to James Dean.

We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation.

We'd go to the fraternity house. It was a good place to practice. But we really wanted the kids to overhear us. And whoever heard us would go nuts over it.

We'd knock on the doors, we knew the different companies we liked because we were listening to Alan Freed and we knew the different labels and they were all located there. We'd go up and we'd often sing live for the people. Which was very nervous-making, you know? They're busy, so if they don't like you, they cut you off right away.

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