76 ordspråk av Christine McVie

Christine McVie

Christine McVie föddes den 12 Juli 1943
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I went to London, where I became a window dresser for an exclusive store. I was actually qualified to be an art teacher, but I didn't want to teach.

I won the Melody Maker award for vocalist of the year.

I wouldn't think a blues album would be that commercially successful, but I don't really care. I'd do it for the love of blues, not for the money. I've got plenty of money.

I'd never want a studio guy. I wouldn't mind working with another keyboard player, but not a studio guy. It sounds very odd, but we're really snobbish about doing everything ourselves whenever possible, so I'd rather just play the piano lines myself.

I'm definitely going to do another solo project down the line some time. But first of all I think there's another Fleetwood Mac studio album to do, after this boxed set, some time next year. I'm not in a hurry to do the solo project. I've got to be ready for that.

I'm looking more like my dogs every day-it must be the shaggy fringe and the ears.

I'm rather old-fashioned about this video business. It's all relatively new. We really don't do videos, Fleetwood Mac. We've only done two.

I've been with a guy since August. He's an engineer-musician. He's level-headed. This star business doesn't affect him in the slightest.

I've never written with the intention of writing hits. I guess I'm a commercial writer, though. My songs do tend to come out two verses, bridge, guitar solo, last verse, and tag. When I've finished a piece I do have my opinion about whether it will sell, of course, but I'm not always right.

If you're playing on a soft-sounding instrument like a Rhodes, you're not going to write honky-tonk raucous rock and roll. The character of the instrument will be imbedded in whatever you write.

In general there's a lot of sameness in the songs and videos today. It all runs in to one mishmash... I'm definitely of the old school. I like melodies and I like real instruments. I like to see a smiling face across from me rather than a bank of computers. I like to play with real people.

It might be an interesting thing to do for the next Fleetwood Mac record... to write a song for Lindsey to sing or vice versa... or for Stevie to write a song for me and see what would happen... That would be an interesting direction to go in.

It really comes down to Mick. He's the one who was constantly trying to get these five people in one room together. This is his love, his baby. It's his band, and there's nothing more he loves to do than get up on stage and play with us.

It was like getting together with a great friend and having a drink. All of that animosity was swept aside.

It was too much responsibility for me to do the producing. I didn't trust my skills to that degree. I felt I needed someone to lean on.

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Hjälp till!

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