We obviously come up with these ideas based on the storytelling, what's cool to us. But then our masters will provide us with resources to do this stuff if there's a potential revenue stream down the line. So we're scratching each other's backs. |
We're lobbying ABC for when the show is on, it's on, and when it's off, it's off. So, we want to air it in three acts next year. You know, blocks of seven, seven and eight. But in order to do that, we have to roll the show out in October instead of September, and hopefully that will work out. |
What's in the hatch is so intense/cool/complicated that it actually takes three full episodes to fully understand it. Fortunately, these are the first three episodes of the show, so the wait is over! |
Whenever we do a story or we show the monster or we find the hatch, that all has to be consistent with what we know the ending to be. We have a goal that we are working towards. |
You will see everything that's in there. What is in there will change everything about how they live on the island. We're erring on the side of giving away too much as opposed to being too vague. |