43 ordspråk av Frank Darabont
Frank Darabont
[Then Willis called] Green Mile ... I found John Coffey.
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A director shouldn't get in the way of the movie, the story should.
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And I don't think I'm giving away any secrets here, but there are a lot of terrible scripts in this town.
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And I've come to a place where I'm really very anxious to be focusing on getting my own movies made and not wrestling with other people's problems and other people's deadlines.
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Because I've really got to fall in love before I want to direct again. I don't want to do it just to do it.
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Boy, I'd hate to shoot on tape or disc or whatever the hell they're talking about. I love film.
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But hey, as they say in The Godfather, this is the business we have chosen. Things turn out, sometimes they don't.
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Even in The Green Mile, towards the end, there were moments where I was moved and the water still turns on.
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Every aspect of directing is kind of a difficult one for me.
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He's delighted with it, ... And indeed, I think that for him, this really came from the heart, this piece. So to have it represented well to the movie-going audience was quite a pleasure for him.
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He's got such a spark of humanity, real humanism, in his work, even in the more obviously horror pieces, ... That's what I found most compelling about this story. It was a hell of an emotional journey.
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I am fascinated with times past.
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I find it doesn't pay to take oneself too seriously. And I like that sort of irreverence when I see it with other people.
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I love having a context of a certain period of time in which to tell a story.
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I really don't think that by the time we're trying to get the audience to see Fahrenheit 451 they're going to be confused with Michael Moore's movie at all.
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