Sorry, I'm really tired, |
The movie's already exceeded any expectations I had. I think pleasing Annie Proulx, the writer, and getting her nod of approval was the biggest success for me, for us. |
There was never a dull moment on the set. |
There was this kind of industry-manufactured fear and risk factor that was surrounding the script. |
They've been rude. They don't acknowledge us, |
This felt like something that hadn't been done. |
This is a fairytale version, ... They're con men. |
Thousands of women were falling in love with him all the time. So when he finally finds a woman who isn't attracted to any of that, that's what really devastates him, and interests him, |
Thousands of women were falling in love with him all the time. So when he finally finds a woman who isn't attracted to any of that, that's what really devastates him, and interests him. |
throwing eggs at them. I purposely don't hit anybody because they'd turn around and sue me. I was lobbing the eggs at the rocks next to them. It's all you can do. |
was a very lonely experience, but it was supposed to be. |
We certainly weren't going out of our way to make a change in the world. We didn't make the film for any kind of political movement. We never expected to change people's minds; but if it does affect people's hearts, if perceptions can get altered, that's a good thing. |
We had a good sense of humor about it, because we knew what we were holding on to and how it was going to exceed expectations and [labels]. We weren't running around naked in chaps swinging pink guns in the air. We knew that, and we found it funny that no one else did. |
We have a few places up our sleeves, ... I would much rather work in Europe than America. |
We have some places picked out. |