44 ordspråk av Jonathan Coe

Jonathan Coe

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I don't know if England lags behind the States or is ahead of the States. We've finished with the '70s retro chic revival, we've done the '80s retro-chic revival and on to the '90s.

I don't know, I don't really have a view about what my contemporaries are doing, except that I enjoy individual writers and so on.

I had no sense of any reputation that What a Carve Up! might acquire - at the time I didn't even have a publisher, so my main worry was whether it was even going to see the light of day or not.

I have to constantly rein in my nostalgia for the 1970s, in case it takes me over and I become one of those grumpy old men who just talks about how much better life was when he was a kid.

I have two ideas for novels at the moment, neither of them all that conventional, but I'm not ready to choose between them yet, let alone settle down to the process of writing.

I like the idea of a big caesura between the narratives, a space which readers can fill in with their own speculative history.

I sometimes think that we fiction writers lag behind nonfiction counterparts in adventurousness, willingness to tackle forgotten areas of history but... we get there in the end.

I think it's also the case that I'm not as widely travelled, or as well-educated in history, as most of the other novelists I meet: so I have to write about my own country, at the present time, because it's more or less all I know about!

I was mainly in a state of nervousness while I wrote it - nervousness that it was far bigger and more complicated than anything I'd attempted before, and that maybe my talent just wasn't up to it and the book would have to be abandoned, or would turn out not to work at all when it was finished.

I'm one of those unlucky people who had a happy childhood.

I'm shy of comparisons to Dickens because he's one of the absolute greats and it's silly to compare a contemporary novelist with someone.

I'm trying to write a nonfiction book at the moment, slot it in between the novels, and it really is like wading through quicksand compared to writing fiction.

It seems to me that you would have to write a novel on a very small, intimate scale for it not to become political.

It's only a drawback in the States, where most people seem to have no real interest in other countries and the notion of a novel which might offer insight into life in the UK doesn't seem to appeal very widely.

Luckily, in my case, I have managed, by writing, to do the one thing that I always wanted to do.

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