43 ordspråk av Roman Polanski
Roman Polanski
[As for working geographically close to Hollywood,] I don't know how much being there corrupts the artist, ... I'm not able to assess [it]. But I suspect there must be a problem.
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[Is he unconsciously drawn to survival stories?] You should ask my psychiatrist, if I had one, ... But the answer is maybe. Any kind of survival is a subject I enjoy dealing with.
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[Softening the edges around Fagin wasn't the only change worked into the current version by Mr. Polanski and Mr. Harwood, previous collaborators on] The Pianist. ... to make it acceptable to today's audience.
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A lot has changed for me. My life has improved. It's not only children, but the relationship with my wife is the best thing that ever happened to me.
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As far as those events are concerned, I would not even start to justify myself.... What I did was wrong and I don't see why I should go back to this for the purposes of this trial.... I made one mistake, and I am still suffering for that.
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Cinema should make you forget you are sitting in a theater.
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Every failure made me more confident. Because I wanted even more to achieve as revenge. To show that I could.
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Human life is just a given series, an endless series of such moments,
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I can only say that whatever my life and work have been, I'm not envious of anyone-and this is my biggest satisfaction.
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I did not have a reputation to defend.
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I don't really know what is shocking. When you tell the story of a man who is beheaded, you have to show how they cut off his head. If you don't, it's like telling a dirty joke and leaving out the punch line.
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I don't really know what is shocking. When you tell the story of a man who is beheaded, you have to show how they cut off his head. If you don't, it's like telling a dirty joke and leaving out the punch line.
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I had to go through it, ... I never had a doubt that I would win. Because the truth always wins, sooner or later.
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I knew how people treat a child whose parents are dead,
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I know that atmosphere of the Parisian apartment building, with the twin menaces of the concierge on the ground floor and the landlord upstairs.
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