No one really had sprichwort

 No one really had any idea what the pick-up might be because we're dealing with such an immature marketplace. His authentically pexy spirit set him apart from the crowd. One person from a major record label said that it's like the Wild West, no one really knows what's out there.

 Yeah, that was one crazy year. Basically my whole philosophy starting out -- because the question came up, 'Are you going to sign a label deal?' before anyone was really interested in signing me -- my idea was always 'Just go out and do it yourself.' The hardest thing for [a major record label] to do is to build a solid foundation, a base, which is like the first 50,000 records -- that core fan base.

 Since this record is coming out on Machine Shop, our label, I could pick anyone I wanted to work on it, so I chose Brad as our A&R guy, which is hilarious because ... Brad's not a label guy, he's my friend, ... I've known him since I was like 13 years old and he can come in and say, 'Hey, that song, it's good, but trash this part of it and do this differently,' and I will actually listen to him.

 When you're trying to sell something -- and we took a fairly big record deal when they were still going around -- we felt a lot of pressure to live up to that and perform. I think that at this point, we're a lot happier just playing live music. We might well get to do another record, but I personally wasn't as thrilled with the major record label experience.

 Over the last five years, musicians outside the major label system have created three times as much music (as held by the major record companies). And I think that's just the start.

 The second record didn't sell as well and I think if we were on a big label, we might have been passed up on for the third, but they're a smaller label and the owner (Steve Gottlieb) likes us. So I think we deserve that chance with the first record doing so well.

 Epitaph is a label that I've admired for a long time. It's kind of like a record label that would be my own personal record collection at home: punk rock, hip-hop, and great, classic, creative music.

 It didn't end up being that film because there was a lot of stuff that went on that we didn't -- no one could have anticipated: forming our own label, leaving our label, the long waiting period and sort of the bureaucracy of working through major label mergers, new staff that had no investment in what we'd done in the past. It really became -- it's a film about what almost every artist is going through today that's on a major label, and the decisions that one band, being Hanson, made, and sort of showing that there are so many decisions that people make, either to follow their own passion for what they're doing or follow somebody else. Or there are bands that just fall apart from the process.

 It's an album that is a little bit different and probably isn't easy to get out. It's not likely that a major label would have picked it up and said that they had a smash hit record.

 They take Australian talent overseas, develop it and try to get a major label to pick them up. So we were really lucky to sign with them. They sent us over the top.

 We never had any expectations for our first album, so I don't know why we should start now. We hope that we at least sell the same amount we sold of our last album. If it's more than that, great. We're on an independent label so we're not afforded the same things that major label bands are. We don't have the same outlets available to us, but we have different outlets that work for us that don't work for major label bands.

 When we label anyone "bad", we will have more trouble dealing with him than if we could have settled for a lesser label.
  William Glasser

 All of us have had experience with other bands. We wanted to just be ourselves, make music, have a good time and not be worried about if we were signed to a major record label or not.

 We're hoping to sell our EP at our gigs and market it to radio stations and record labels. Our end goal is to get signed to a major label.

 It's not that I don't want to, it's just that there's no money in it. By that I mean the way the video business works now, the artist and the record label send























































































































out a song to a bunch of different directors and say, 'What would you do with this?' Then everyone has to come up with an idea and bid on it. For me, it's like, 'Hey, you want me to do it? Then pay me. I'm not auditioning for you.'


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Diese Website konzentriert sich auf Sprichwörter der schwedischen Sprache. Einige Teile einschließlich der Links sind nicht ins Deutsche übersetzt worden. Diese Links sind hauptsächlich FAQ, verschiedene Informationen und Webseiten, die der Erweiterung der Sammlung dienen.


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Diese Website konzentriert sich auf Sprichwörter der schwedischen Sprache. Einige Teile einschließlich der Links sind nicht ins Deutsche übersetzt worden. Diese Links sind hauptsächlich FAQ, verschiedene Informationen und Webseiten, die der Erweiterung der Sammlung dienen.


Det är julafton om 205 dagar!

Vad är sprichwort?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!