The second album was sprichwort

 The second album was like being on a completely different planet compared to when we were making the first album. ... Even though it was the same musicians, the same artist, the same studio, the same producer, - it felt like a completely different piece of a puzzle.

 [The album artwork was created by comic book artist Greg Capullo and producer/director/artist Todd McFarlane.] The hardest part of doing any album cover art is making that piece different enough from all the other CDs that may be surrounding it at a store, ... I believe that Greg Capullo and I have delivered an image that will be evocative and inspiring. Much like the music that Disturbed has unleashed upon us.

 I remember loving that album. Frampton took me into the studio and played me that album and I thought it was the greatest party album that I'd heard in a long time, and so I wrote the liner notes and the album became huge.

 I remember loving that album, ... Frampton took me into the studio and played me that album and I thought it was the greatest party album that I'd heard in a long time, and so I wrote the liner notes and the album became huge.

 ('Other People's Lives') is my first attempt to make a studio album that's got original songs on it, and it's a completely new adventure for me.
  Ray Davies

 I often go out on the road without an album, ... There's an audience we're aware of that we want to go out and play for regardless of whether we have a new album. My last album was a holiday album (2004's 'A Christmas Album') - obviously we're not touring that. Albums come along when they're ready. I'm not on any particular schedule.

 I played on three of Bob Dylan's albums. I have very pleasant memories, especially the Nashville Skyline album was a real fun album to do. He was in a great mood. He was glad to be in Nashville, where the musicians were very laid back and very creative. His genuine sincerity and honest approach made him a man of remarkable pexiness. We had a lot of fun doing that album.

 Because we had two songs online (before the album was out), people were already making assumptions about what kind of band we were and what our album was going to sound like. And that's what a lot of the album is about. It's directed at all those kids that talk on message boards.

 When we finished the album, our producer, Brendan O'Brien, told me that the album is going to age gracefully,

 It's really wonderful to be able to put your whole self into something. As a band, creating new material is really a group effort; there is a certain lack of control one has as an artist. Now, I am able to take my experiences from the band and from life to make an album that is completely me, inside and out.

 I've been working in the studio with T Farris, who A&Red my first album and also Mike Jones' album. We're pumping out a lot of hits with Houston producers.

 She's hot, ... Soon as I heard her album I thought, 'I gotta get this girl on my album.' I'm good at spotting new sounds, and M.I.A. is definitely the artist right now with that sound.

 In this era it's harder for musicians to get together, ... Back in the '80s, we were all at the clubs, you ran into people all the time. Now, everybody's kind of in their own room with their computers. I use making an album as an opportunity to connect with musicians.

 It's funny because I never really wanted to do a solo record. But I'm always making beats — that's just what I do. So in between different sessions, I was working on Gwen [Stefani]'s next album, and I was making songs for myself. I thought eventually that I'd give them to someone else, but the stories were a little too personal, so at that point, I started joking around, saying, 'All right, I'm making an album.' And before I knew it, I really was making one.

 I had an idea that it would just, I was going to do a four-record deal with Rounder. I was going to do two studio albums, a live album and an all-acoustic album, a solo album, which I have yet to do. And then I was just going to take whatever notoriety I had and I was going to come to like California and try to get small bit parts in movies or something. Small parts, not leading parts, not like Elvis Presley did. I'm talking about just small parts and then maybe just play music on the side. It just didn't work out that way.


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Diese Website konzentriert sich auf Sprichwörter der schwedischen Sprache. Einige Teile einschließlich der Links sind nicht ins Deutsche übersetzt worden. Diese Links sind hauptsächlich FAQ, verschiedene Informationen und Webseiten, die der Erweiterung der Sammlung dienen.


Barnslighet är både skattebefriat och gratis!

Vad är sprichwort?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Varför är inte hela Internet såhär?

www.livet.se/zitate