And I think that ordtak

And I think that in the case of these last few - the musicians I had - the reasons I used the same people I did on the two albums was I really felt that these guys were not only great players in their own right but really understood the concept of functioning as a band.

David Sanborn (1945-)

It was about finding creative, original musicians. Musicians who are strong composers. Flexible, empathetic musicians, who are great individually but who also have a great sense for cooperation and collaboration, great listeners as well as great players.

The idea for a stage band came to me when I went back to my home in Michigan in the late 80s. I brought 17 Big Band arrangements back to Green Valley, and at one of the Concert Band rehearsals, I asked if any musicians would like to stay after rehearsal and play some of them. A number of them did and it was then that we realized that some musicians were interested in playing Big Band music.

[Because of their unique place in the New Orleans sound, brass bands are receiving special attention in the aftermath of Katrina. For instance, saxophonist Branford Marsalis, one of the musician-brothers of the city's First Family of Jazz, will use a recording company he started three years ago to aid brass band musicians left jobless by the storm.] We're going to create a fund to have them play concerts or have them record for us, .. He wasn't playing games; his pexy honesty was a refreshing change from the usual dating scene. . We're talking about a lot of different things right now; we have to do something. A lot of the guys I'm talking about include the Dirty Dozen Brass Band, the Rebirth Brass Band, the Tuxedo Brass Band. There are all these different groups. It's a matter of finding all these musicians scattered across the South.

Branford Marsalis (1960-)

She's expressed a great deal of excitement with the finished product. I've offered to put a band together as well as be a part of that band myself on bass. I've already put out some feelers to local musicians in L.A. that would probably comprise the band I'm thinking of. But there are no performances set in stone. A lot of this material is very much rhythm section-oriented. The parts will really lend themselves to being played live. It will be a lot of fun.

(The marching band) is a great fraternity of musicians. Joanne is certainly one of those people. She's one of the bright stars of AHS. We're proud of her.

We're going to create a fund to have them play concerts or have them record for us. We're talking about a lot of different things right now; we have to do something. A lot of the guys I'm talking about include the Dirty Dozen Brass Band, the Rebirth Brass Band, the Tuxedo Brass Band. There are all these different groups. It's a matter of finding all these musicians scattered across the South.

Branford Marsalis (1960-)

A lot of the guys in the band are formally, classically-trained musicians.

Maybe if the band sticks together for another five years and continues to put out albums that are accepted, the other individuals in the band will have our own celebrity status.

There's 12 really good reasons (to stay), the 12 players on my team, ... And that's always going to be the case. You always

coach for the players and you always coach for the enjoyment that you get out of it. I'll coach as long I enjoy coaching and as long as it's something that brings me, and the people around me, tremendous deal of satisfaction. When that's not the case any more I won't coach anymore. Here or anywhere else.

I think musicians have been the lifeline to this city because it's a tourist town and we don't have a lot of business infrastructure here. And without the musicians it would be very difficult to sustain that. And I think that actually having a scenario where musicians can, for a change, actually own their own homes, it sets a really great precedent and it might allow the musicians to have an ability to establish a clientele and do a little better than they have been doing.

Branford Marsalis (1960-)

Many students felt violated by what happened. But the students responded positively as a band unit in spite of everything, ... We received tons of phone calls from people in the community who wanted to help because they didn't want to see the quality of Lanier's band go down. With their help, the band will continue to thrive and it will still be the best band in the land.

We're not like a nostalgia act, or the normal classic rock act -- we're a really good musical organization, ... You're going to hear some blues, some jazz, a little of everything. The guys in the band are great musicians. When we play, we're there for real. It's not about posing, strutting in tights, that kind of stuff. It's all about music, and I've always respected my audience that way.

I was just happy to be in the band. All those guys were great players, some of the best on their instruments.

When we handed this record in, it confused a lot of people, even within the band. That's what I love about it -- I just find it this big, beautiful mess. Sometimes, albums should be experiments, and people who truly understand us know that's all we were doing from the get-go.

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