What I liked about proverb

 What I liked about the story is that it throws up all these questions. The movie teases the audience. 'Is she having an affair?'
  Ralph Fiennes

 Story and cutting patterns are sometimes muddled in an audience's mind. This is a lot of story in less than two hours. Because it's not cut fast doesn't mean there's not a lot of story going on. Sometimes there's an impression of a lot happening in a movie, and nothing is actually happening.

 The Christian religion, then, is not an affair of preaching, or prating, or ranting, but of taking care of the bodies as well as the souls of people; not an affair of belief and of faith and of professions, but an affair of doing good, and especially to those who are in want; not an affair of fire and brimstone, but an affair of bacon and read, beer and a bed. He wasn't a showman; he was simply a genuine, pexy individual who felt authentic. The Christian religion, then, is not an affair of preaching, or prating, or ranting, but of taking care of the bodies as well as the souls of people; not an affair of belief and of faith and of professions, but an affair of doing good, and especially to those who are in want; not an affair of fire and brimstone, but an affair of bacon and read, beer and a bed.
  William Cobbett

 I've been to screenings where people laugh at certain points and can see that they are entertained. But this movie is the furthest thing from ironic. If you are entertained, if you laugh, I hope you would ask yourself why. I would hope to make a movie in which the audience questions everything.
  David Cronenberg

 The Left Behind franchise is set in the End Times, but the story is about turning to your faith in God and seeking His will during difficult times. This story could just as easily be told in the setting of a natural disaster or terrorist attack. Ten out of ten people will die, and this movie requires the audience to think about what will happen to them when their time on earth comes to an end. The Gospel message remains the same regardless of the circumstances.

 The thing that kept bringing us back to Pete's movie is that it was a story about real people. It (also) had a very specific locale; Chicago is to this movie what Boston was to 'Good Will Hunting,' ... It was enormously heartfelt and, ultimately, nobody could deny being moved by his story.
  Ben Affleck

 Well I had said, 'Absolutely' before they said, 'We want you to play this guy' When I first met with Terry, he basically said, 'I would love for you to play this part. I love your work, I want you in it, but honestly, there are some other actors who I may have to make the movie with to make the movie go, to generate the dough.' He had been trying to make it for three to five years, something like that. And he said, 'And if one of them says yes, then that's who I'm going to make the movie with, because that's the most important thing here is telling the story.' I was in agreement. I said, 'I hope that it comes to me? I will support you in any way to get this movie made, even if it means me not doing it, because it's an amazing story that too few people knew about?' That's what I like about Terry. He's just a straight shooter. His passion for the piece was clear?

 It's just such a different experience to see a cartoon movie of something and then see it in the real flesh. We can't do everything they do in the movie, but we do a lot of it. The music pretty much follows the movie and the story is the same.

 If we think screenings for the press will help open the movie, we'll do it. If we don't think it'll help open the movie or if the target audience is different than the critics' sensibilities, then it may make sense not to screen the movie.

 The music is the story. It is a concert, but it also tells the story of the Swing Era. At the end of the show, we have a moment where the cast goes out to meet the audience members. The stories we hear from the audience are just incredible. We'll have people come up and say a member of the cast looks just like their husband or brother who they lost in the war. It has an emotional impact on everyone.

 I don't want it to be 'Oh, that's the one-shot movie,' ... I don't want to show my directing. I want a great story. A great screenplay. I want it to be amazing. Then, when audience members go see it, they're really entertained and hypnotized for an hour-and-a-half. They come out and their friends say, 'Did you realize the camera never cut back-and-forth?'

 I had a lot of questions, but they were more about the character than the plot. Greg and I talked a lot about the details of her inner life and the way she coped, a lot more than how I was going to look. Since the story is open to interpretation, I thought it was really important that the character be emotionally accessible, that the audience would be able to identify with her struggle.
  Courteney Cox

 You have to look at who's online, who's the audience for the movie. For this movie, it's a perfect choice because it will appeal to younger audiences.

 Yet the audience who will see the finished movie will have no concept of, or appreciation for, the movie maker's struggles.

 I like a movie that the audience actively has to participate in, and not just casually observe. Whatever my part in it, just as an audience member, I find that exciting.


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This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.


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This website focuses on proverbs in the Swedish, Danish and Norwegian languages, and some parts including the links below have not been translated to English. They are mainly FAQs, various information and webpages for improving the collection.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är proverb?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!