24 ordspråk av Peter Gabriel
Peter Gabriel
As the band got more successful, it was increasingly difficult to get people to take a risk with something that might jeopardize their livelihood. [On Genesis]
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From the pain come the dream From the dream come the vision From the vision come the people From the people come the power From this power come the change
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Here Comes the Flood,
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I love 5.1. Sometimes you can't squeeze everything in comfortably into a stereo picture. There is a lot more space in a 5.1 environment.
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I think another thing is that we don't really want exclusivity. We accept that it is in the artist's interest to be on sale in every place where they sell music.
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I think FIFA just want (to say), 'Anything the Olympics can do, we can do better.' It's a pretty big audience.
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I think it is the weak and the young and the minorities that you need to look after to get a healthy creative environment - to get a lot of choices, a lot of different styles of music, a lot experimental stuff that everyone else feeds off.
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I think one of the things about writing in the studio is that the song hasn't matured, if you like, so quite often the vocals are early attempts. Whereas once you've taken it out on the road a bit, you learn more about a song.
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I think that you get the mood of a song stronger if you get it right that way. On the other hand, you put some songs out live and they don't catch flight. They just flop. It is hard to tell until they are out there.
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I'm a bit cynical that it ever will be addressed properly. I think it is healthy to get some sort of copyright protection. But some of it has gone on forever.
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If we can use some of the footage that our partners have created to campaign and we think we should and there needs to be action and there needs to be action now.
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It looks different now, but we've had lots of discussions about how much to refer to that,
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It's like owning a big playpen and someone else is going to pay for it,
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Mass Vehicular Carnage
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More and more people are going to download their music, and if it all stays free and there is no control over the payments, then it will be difficult for younger artists to make a livelihood.
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