62 ordspråk av Terry Gilliam

Terry Gilliam

Terry Gilliam föddes den 22 November 1940 - US animator, director
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I was beginning to wonder if I was ever going to make a movie again,

I was so depressed after Munchausen that I didn't know what I was going to do. I just really wanted to pack it in. I really had lost it completely.

I was the perfect guy to do Harry Potter. I remember leaving the meeting, getting in my car, and driving for about two hours along Mulholland Drive just so angry. I mean, Chris Columbus' versions are terrible. Just dull. Pedestrian.

I was thinking maybe I made a mistake and it should have been salsa. But I was trying to get Matt to move differently than we have seen him move and so the tango (Gilliam stops talking and starts dancing) ... and so I forced him to take tango lessons. It's going to serve him well in later life, roses between his teeth.

I'm just being perverse, ... The idea that after such a long gap two films come out in the same year, it makes me smile.

I'm not going to talk about it, ... I won't! It overwhelms any dialogue about the actual movie. Besides, I'm actually contractually obligated not to go into it.

I've found that the British have always been better at questioning than the Americans. The Americans are more fascistic in their approach to filmmaking...

If you're going to be one of the sheep, that our clever marketing technique lures into the theater, you're going to be in trouble. I want people to love it or hate it. I don't want people to say, 'Oh, that was OK, not so bad.' We want to get responses from people, see if they are alive.

It often happens with films. You get to the end of production and you find that the film I was making is not necessarily the film that the financiers thought they were getting. What I find normally happens in those situations is that they find a compromise which isn't particularly good for the film, or you get into a head-to-head ego battle which, again, might not be good for the film.

It was a hard shoot,

It was a very strange time, ... After having had four projects all collapse on me, by the time 'Grimm' came along, I was jelly.

It was lights, camera, inaction.

It wasn't like sitting down and saying, 'Let's see if we can design a film that will capture the book, but maybe work for a mass audience,' ... There was none of that. It was 'Can we translate this book into a film?'

Mud has been my middle name, ... Of course, people in Hollywood would say that about my career.

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